[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"artwork-ji-chu-dai-si-tu-ye-li-di-221598":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":29,"mainColor":30,"tagLinks":31},221598,"ji-chu-dai-si-tu-ye-li-di-221598","鸡雏待饲图页","宋","李迪","北京故宫博物院","本幅款识：“庆元丁巳岁李迪画。”“庆元丁巳”即宋宁宗庆元三年（1197年）。鉴藏印钤宋代“张则印”，明代“项元汴印”、“墨林秘玩”、“项墨林鉴赏章”、“神”、“品”等，又一朱文印模糊不辨。裱边钤清乾隆皇帝“太上皇帝之宝”、“八征耄念之宝”玺印2方。\n图绘两只雏鸡一卧一立，面朝同一方向，屏气凝神，仿佛听见母亲觅食的召唤，正欲奔去。画面描绘传神，将雏鸡嗷嗷待哺的情态表现得淋漓尽致，充分反映了温馨的农家情调。画家用黑、白、黄等细线密实地描绘出雏鸡毛绒的质感，生动地绘出鸡雏幼小可人的生动神态，体现了深厚的绘画功力。此图为李迪晚年所画，构图极其简洁，无任何背景相衬，却捕捉住了鸡雏回眸的刹那间神情，动人心弦。\n此幅与画家在前一年创作的《枫鹰锦鸡图》相比，在审美意趣上全然不同，前者展示的是和风细雨的婉约情调，后者则是张扬自然界生命相残的严酷氛围，由此可见李迪表现各种题材的能力。\n此图自民间入藏清内府后，雅好书画的乾隆皇帝除赏识其艺术造诣外，还从帝王角度联想到勤政爱民的治国之策。他于乾隆五十三年（1788年）临摹此件作品，并且喻令摹刻多份，颁赐给各省督抚，希望这些地方父母官将所辖地区的百姓视为图中的鸡雏，在处理政务时要“实心经理，勿忘小民嗷嗷待哺之情”。",[12,13,14,15,16,17,18,19,20,21],"高清","名画","国画","书画","册","工笔","设色","花鸟","鸡","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40efabd7d00ba834838d90b0ccf1737a.jpg","绢本，设色","纵23.7厘米，横24.6厘米","",[],30,1,0,"BDBDBD",[32,34,36,38,40,42,44,46,48,50],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"ming-hua",{"name":14,"slug":37},"guo-hua",{"name":15,"slug":39},"shu-hua",{"name":16,"slug":41},"ce",{"name":17,"slug":43},"gong-bi",{"name":18,"slug":45},"she-se",{"name":19,"slug":47},"hua-niao",{"name":20,"slug":49},"ji",{"name":21,"slug":51},"yin-zhang",1777535411583]