[{"data":1,"prerenderedAt":38},["ShallowReactive",2],{"artwork-ji-zhou-yao-jian-zhi-tie-hua-shuang-feng-wen-wan-yi-ming-259765":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":19,"size":20,"collection":21,"collections":22,"showCount":23,"zanCount":23,"manualWeight":23,"mainColor":24,"tagLinks":25},259765,"ji-zhou-yao-jian-zhi-tie-hua-shuang-feng-wen-wan-yi-ming-259765","吉州窑剪纸贴花双凤纹碗","宋","佚名","藏地不详","吉州窑，是汉族传统制瓷工艺中的珍品，作为江南地区（江西吉安）一座举世闻名的综合性瓷窑，它具有浓厚的地方风格与汉民族艺术特色。吉州窑的丰富烧瓷，经验和名工巧匠对江西地区瓷业的发展提高，曾起过相当重要的促进作用。吉州古窑兴于晚唐，盛于两宋，衰于元末，因地命名，因当时永和又为东昌县治，故又名东昌窑、永和窑。吉州窑产品精美丰富，尤以黑釉瓷（亦称天目釉瓷）产品著称，其独创的“木叶天目”、“剪纸贴花天目”和“玳瑁天目”饮誉中外。洒釉、虎皮天目等也是吉州窑的标志性品种。\n卞向和在对中国陶瓷发展中对吉州窑有过认识，他指出：吉州窑在中国陶瓷发展中具有十分重要的意义，吉州窑不仅将中原的制瓷工艺溶于之中，还将吉州本地的人文情趣绘于瓷器上，并在造型，瓷的机理上有新的变化，使吉州窑成为中国瓷的重要品类，才使古代的欧洲、中东各国的王室贵族爱上吉州瓷。",[12,13,14,15,16,17],"陶瓷","日用具","碗","剪纸贴花","凤纹","吉州窑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5009134819d70b68111151f697378493.jpg","未知","Xcm*Xcm","瓷器精选",[21],0,"BDBDBD",[26,28,30,32,34,36],{"name":12,"slug":27},"tao-ci",{"name":13,"slug":29},"ri-yong-ju",{"name":14,"slug":31},"wan",{"name":15,"slug":33},"jian-zhi-tie-hua",{"name":16,"slug":35},"feng-wen",{"name":17,"slug":37},"ji-zhou-yao",1777535560453]