[{"data":1,"prerenderedAt":32},["ShallowReactive",2],{"artwork-jiang-nan-zhi-zao-chang-shan-cheng-mian-hua-tu-shi-mo-cai-mian-mo-yi-ming-271057":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":16,"material":17,"size":18,"collection":19,"collections":20,"showCount":21,"zanCount":21,"manualWeight":21,"mainColor":22,"tagLinks":23},271057,"jiang-nan-zhi-zao-chang-shan-cheng-mian-hua-tu-shi-mo-cai-mian-mo-yi-ming-271057","江南织造常山呈棉花图诗墨-采棉墨","清","佚名","藏地不详","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[12,13,14,15],"墨","书法","楷书","棉花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d042c1f0c6b814daf2f7735c0c01c2c.jpg","未知","Xcm*Xcm","",[],0,"BDBDBD",[24,26,28,30],{"name":12,"slug":25},"mo",{"name":13,"slug":27},"shu-fa",{"name":14,"slug":29},"kai-shu",{"name":15,"slug":31},"mian-hua",1777535536108]