[{"data":1,"prerenderedAt":71},["ShallowReactive",2],{"artwork-jiang-xiang-qing-xiao-tu-yu-zhi-ding-230857":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":29,"material":30,"size":30,"collection":30,"collections":31,"showCount":32,"zanCount":33,"manualWeight":34,"mainColor":35,"tagLinks":36},230857,"jiang-xiang-qing-xiao-tu-yu-zhi-ding-230857","江乡清晓图","清","禹之鼎","藏地不详","《江乡清晓图》是清代画家禹之鼎创作的一幅绢本设色画，现藏于旅顺博物馆。\n两棵老柳垂条，掩映溪桥田野，远处山麓桃花盛 开、一派江南水乡春色。\n柳畔屋前，妇携幼童，望老翁坐 在矶石上垂钓。\n笔 墨工秀，设色浓丽， 刻划精细，如屋内 纺车、老翁戴的无 顶草笠、带有线轮 的钓竿，均一丝不 苟。\n自题“戊子首春 仿赵大年江乡清晓 图”。\n戊子为康熙四 十七年(178)，乃晚 年手笔。\n禹之鼎（1647—1716年），字尚吉，号慎斋，江都(今江苏扬州)人。\n清康熙二十年(1681年)官鸿胪寺序班，以画供奉入畅春园。\n善画人物、山水，尤精写真。\n初师蓝瑛，兼学宋元诸家。\n肖像画面貌多样，对白描法、墨骨法、江南法都有研究，所绘人物形神兼备，独具一格，一时名公小像多出其手，其肖像画在清代中期有“当代第一”之誉。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28],"高清","国画","书画","设色","工笔","皴法","山水","人物","小桥","流水","柳树","桃花","茅屋","垂钓","孩童","妇人","岸石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa80bad0a4e7b08769098da0f127b7e6.jpg","",[],19,1,0,"795548",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65,67,69],{"name":12,"slug":38},"gao-qing",{"name":13,"slug":40},"guo-hua",{"name":14,"slug":42},"shu-hua",{"name":15,"slug":44},"she-se",{"name":16,"slug":46},"gong-bi",{"name":17,"slug":48},"cun-fa",{"name":18,"slug":50},"shan-shui",{"name":19,"slug":52},"ren-wu",{"name":20,"slug":54},"xiao-qiao",{"name":21,"slug":56},"liu-shui",{"name":22,"slug":58},"liu-shu",{"name":23,"slug":60},"tao-hua",{"name":24,"slug":62},"mao-wu",{"name":25,"slug":64},"chui-diao",{"name":26,"slug":66},"hai-tong",{"name":27,"slug":68},"fu-ren",{"name":28,"slug":70},"an-shi",1777535418697]