[{"data":1,"prerenderedAt":69},["ShallowReactive",2],{"artwork-jiao-yin-ji-qiu-tu-ye-su-han-chen-234030":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":34,"mainColor":35,"tagLinks":36},234030,"jiao-yin-ji-qiu-tu-ye-su-han-chen-234030","蕉阴击球图页","宋","苏汉臣","北京故宫博物院","《蕉阴击球图》绘南宋贵族庭院里的婴戏小景。庭院内奇巧的湖石突兀而立，其后隐现茂盛的芭蕉数丛。石前的少妇正与身旁的女子专注地观看二童子玩槌球游戏。一童手持木拍正欲坐地击球，另一童子则向他急急地喊话。图中四人的目光同时落于童子所欲击打的小小球体上。构思巧妙，情节生动，显示出作者善于观察人物并且捕捉生活细节的能力。此幅在构图上巧妙地将玲珑剔透的湖石正立于画心中部，以其自身的完整性起到了镇住画面的作用，聚拢了交叠张扬的芭蕉叶及分散的人物，避免了画面因景物繁杂而出现轻浮感。此外，湖石拉开了前景人物与背景芭蕉间的距离，增强了画面的纵向层次感。在笔法上，作者注重物象间的对比互衬关系。人物与芭蕉为中锋运笔，线条工整细匀，如行云流水；着色渲染浓淡相宜，清新明洁的色调有助于表达轻松活泼的主题。湖石则以粗笔重墨表现，线条劲练，转折顿挫中见洒脱。湖石所呈现出的坚硬质地成功地衬托出人物纤秀婉约的形象及芭蕉飘逸润泽的自然美。\n在宋代类似于《蕉阴击球图》的作品很多。以写实的笔法描绘民间生活、反映“市井细民”的审美趣味是宋代绘画的一大特色。当时涌现出众多绘风俗画的著名画家，如王居正、张择端、李嵩、苏汉臣等人，他们的作品以富有浓郁的生活气息而在中国绘画史上占有重要的地位。\n原题签作者为苏汉臣。此幅虽在题材、笔法上与苏汉臣的画风较为接近，但在艺术表现的造诣上却远不及苏汉臣，因此，此图当是与苏汉臣同时代的佚名画家之作。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27],"名画","国画","书画","册页","宋代","工笔","设色","精细","人物","儿童","芭蕉","石头","桌子","地面","击球","工笔人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5800a0bb27581102b47456c505bec926.jpg","绢本，设色","纵25厘米，横24.5厘米","",[],28,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65,67],{"name":12,"slug":38},"ming-hua",{"name":13,"slug":40},"guo-hua",{"name":14,"slug":42},"shu-hua",{"name":15,"slug":44},"ce-ye",{"name":16,"slug":46},"song-dai",{"name":17,"slug":48},"gong-bi",{"name":18,"slug":50},"she-se",{"name":19,"slug":52},"jing-xi",{"name":20,"slug":54},"ren-wu",{"name":21,"slug":56},"er-tong",{"name":22,"slug":58},"ba-jiao",{"name":23,"slug":60},"shi-tou",{"name":24,"slug":62},"zhuo-zi",{"name":25,"slug":64},"di-mian",{"name":26,"slug":66},"ji-qiu",{"name":27,"slug":68},"gong-bi-ren-wu",1777535412319]