[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-jie-bo-tu-yi-ming-219632":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},219632,"jie-bo-tu-yi-ming-219632","揭钵图","元","佚名","北京故宫博物院","此图系佛教故事画，描绘佛世尊为惩治鬼子母而将其幼子宾伽罗扣于钵下，鬼子母遣众小鬼意欲揭钵救子的情景。图中佛世尊神态安然地趺坐在莲花座上，众天神手执兵器耀武扬威地护其左右，正藐视地静观众小鬼徒劳无功的揭钵场面。小儿于钵中哭叫着张手求救，小鬼们不遗余力地用尽各种方法抢救，鬼子母面带忧色地被众孩儿团团围住，她显然已为解救幼子而心力交瘁。\n作者通过对处于尖锐冲突中的不同人物的性格和感情的个性化描绘准确地表明了他们不同的地位和彼此之间的关系，从而令场面宏大、人物众多的画面具有形散而神不散的内聚力。此图中对小鬼的描绘最为生动。作者以丰富的想象力幽默诙谐地表现了造型夸张变异的小鬼。通过他们绳拉木撬等忙乱的举动赋予画面强烈的动感并烘染出紧张激烈的气氛，从而准确地表达了揭钵的创作主题。图中不同的形象用不同的笔墨线条勾画，武士及小鬼以粗犷的墨线勾描，通过对他们坚实的皮肉筋骨的刻画表现出他们的力量和所具有的勇猛精神。佛世尊及仕女、童子用轻柔的细线勾勒，通过衣料柔软的质感衬托出他们纤秀婉约的姿容。全幅用勾线填彩法，色彩厚重丰富，有早期壁画的风格，给人以活泼明快的视觉感受，令画面显得不过于沉重。",[12,13,14,15,16,17,18,19,20,21],"高清","国画","书画","长卷","设色","工笔","宗教","人物","佛","祥云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7b0415fc6a78a06f7b07e161173c714.jpg","绢本,设色","纵31.8厘米，横97.6厘米","人物画精选",[25],48,0,"BDBDBD",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"guo-hua",{"name":14,"slug":36},"shu-hua",{"name":15,"slug":38},"chang-juan",{"name":16,"slug":40},"she-se",{"name":17,"slug":42},"gong-bi",{"name":18,"slug":44},"zong-jiao",{"name":19,"slug":46},"ren-wu",{"name":20,"slug":48},"fu-1220",{"name":21,"slug":50},"xiang-yun",1777535405459]