[{"data":1,"prerenderedAt":66},["ShallowReactive",2],{"artwork-jin-hui-dui-tu-juan-zhao-chang-221373":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":33,"zanCount":34,"manualWeight":35,"mainColor":36,"tagLinks":37},221373,"jin-hui-dui-tu-juan-zhao-chang-221373","锦灰堆图卷","宋","赵昌","北京故宫博物院","图绘群蝶恋花的田园小景。轻灵振翅的蛱蝶起舞于画幅的上半部；秋花枯芦摇曳于画卷的底边。在物象表现上，作者用双勾填色法画土坡、草丛、蛱蝶。其勾线富于顿挫和粗细变化，墨色亦有浓淡轻重之分，敷色积染多层，特别是蛱蝶的翅翼更因积染而色彩浓艳厚重，从而与主要以植物色染就的草叶形成“轻”与“重”的对比。图中蛱蝶的形象最为传神，作者逼真地刻画了蛱蝶之翼薄如绢纱的质感、绚丽斑斓的花纹和蛱蝶细如发丝的根根须脚。传神的笔墨展示了作者深厚的写生功底，使本图成为研究古代蝶种的形象资料。作者不愧有“写生赵昌”的美誉。\n此图流传有绪。通过图上所钤印文可知，它最早为南宋权相贾似道收藏，德祐年时，贾似道以卖国获罪，此卷遂被官府没收。入元后，它为元仁宗爱育黎拔力八达之姊鲁国大长公主所收藏。明初，被内府典礼纪察司收存。清代，它转入大收藏家梁清标之手，旋即又归入清内府，备受乾隆皇帝赏识。晚清宣统时又流入民间，为伪满“国兵”朱国恩抢得，存放于吉林长春的家中。1952年东北文化部组织的工作小组于长春获得此卷，交由原东北博物馆收藏，后博物馆将它与北宋崔白《寒雀图》卷、吴元瑜《荔枝图》卷一同送交国家文物局，文物局将它们转入故宫博物院庋藏。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","国画","名画","长卷","工笔","设色","花鸟","蝴蝶","蜻蜓","昆虫","花草","果实","叶子","石头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a9b890e9249dec5b777dd3cfaf3145a.jpg","绢本","29.4x174.6cm","宋画精选",[29,31,32],"花鸟画精选","设色画精选",142,1,0,"795548",[38,40,42,44,46,48,50,52,54,56,58,60,62,64],{"name":12,"slug":39},"gao-qing",{"name":13,"slug":41},"guo-hua",{"name":14,"slug":43},"ming-hua",{"name":15,"slug":45},"chang-juan",{"name":16,"slug":47},"gong-bi",{"name":17,"slug":49},"she-se",{"name":18,"slug":51},"hua-niao",{"name":19,"slug":53},"hu-die",{"name":20,"slug":55},"qing-ting",{"name":21,"slug":57},"kun-chong",{"name":22,"slug":59},"hua-cao",{"name":23,"slug":61},"guo-shi",{"name":24,"slug":63},"ye-zi",{"name":25,"slug":65},"shi-tou",1777535396123]