[{"data":1,"prerenderedAt":63},["ShallowReactive",2],{"artwork-jin-ji-tu-li-zhou-chen-lin-232636":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":32,"manualWeight":32,"mainColor":33,"tagLinks":34},232636,"jin-ji-tu-li-zhou-chen-lin-232636","锦鸡图立轴","元","陈琳","藏地不详","陈琳，（生卒年不详），字仲美，钱塘（今浙江杭州）人。南宋画院待诏珏子，琳世其叶。善画花鸟、山水、人物\n陈琳得赵孟頫指授，多所资益，故其画不俗，尤善临摹古迹。\n陈琳存世花鸟画仅有一件，即《溪凫图》（台北故宫博物院），作于大德五年(1301)，是在赵孟頫松雪斋中画成的。画中有赵孟頫的润饰和题字，称这幅画为陈琳的游戏笔墨，推重备至。作品特色鲜明，工笔略带写意，粗细兼用，笔墨潇洒流畅，浓淡墨色富于变化，形象生动，风格古朴，具有文人水墨写意画的韵致。这幅画既反映了陈琳的绘画特色，也代表了元代花鸟画嬗变的时代特征。陈琳还有山水画传世，如《秋山行旅图》、《苍崖古树图》等，都属于水墨写意画法。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","国画","立轴","设色","工笔","花鸟","松树","锦鸡","鸳鸯","树木","花卉","山石","元代风格","传统技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70a7d3753eac78e2098c6e0fef1789f7.jpg","绢本","117x70厘米","",[],32,0,"795548",[35,37,39,41,43,45,47,49,51,53,55,57,59,61],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"li-zhou",{"name":15,"slug":42},"she-se",{"name":16,"slug":44},"gong-bi",{"name":17,"slug":46},"hua-niao",{"name":18,"slug":48},"song-shu",{"name":19,"slug":50},"jin-ji",{"name":20,"slug":52},"yuan-yang",{"name":21,"slug":54},"shu-mu",{"name":22,"slug":56},"hua-hui",{"name":23,"slug":58},"shan-shi",{"name":24,"slug":60},"yuan-dai-feng-ge",{"name":25,"slug":62},"chuan-tong-ji-fa",1777535410463]