[{"data":1,"prerenderedAt":74},["ShallowReactive",2],{"artwork-lan-ting-tu-bing-shu-xu-juan-xu-guang-zuo-228888":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":30,"material":31,"size":31,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":35,"mainColor":36,"tagLinks":37},228888,"lan-ting-tu-bing-shu-xu-juan-xu-guang-zuo-228888","兰亭图并书序卷","明","许光祚","藏地不详","《兰亭图并书序》为中国明代 创作的绫本书画作品，现藏于 。\n卷后有 书《兰亭序》，落款曰：“辛亥暮春摹于长水之玉瑛堂。\n关西许光祚。\n”下钤“灵长氏”朱文印。\n辛亥为1611年（明万历三十九年）。\n画心无款，有“永安沈氏藏书画印”朱文鉴藏印一方。\n许光祚，活跃于明代万历年间，字灵长，陕西人。\n与汤焕同郡，得其书法，时人号曰汤许。\n举于乡，知太平县，著有《许灵长集》。\n有书法作品传世，但文献没有记载他能绘画。\n此卷以山水为背景，表现兰亭修禊故事。\n卷首山脚下二文士携三童子而来，往前溪水边有一亭，亭中间置一桌，一文士在桌上挥毫，一文士坐于侧，另有一文士坐长凳上倚栏观鹅。\n溪流两岸边绘众文士及童子，文士们分组而坐，或凝思或交谈，或观摩或挥毫，其中有一人袒胸盘坐，双手上举似为养气，另有两文士在喝交杯酒，形态生动。\n溪流间有荷叶托着酒杯顺流而下。\n该图虽然大体继承了宋元以来兰亭雅集图亭中观鹅、岸边赋诗的构图方式，但从图中人物的服饰、动态及人数等来看，画家表现的更像是明代文人模仿王羲之等兰亭雅集时的情形，而不是真实地再现当时的原貌。\n人物线条简洁严谨，设色淡雅，山石轮廓以侧笔皴擦，工整柔和。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29],"高清","国画","书画","长卷","设色","工笔","人物","山水","小桥","流水","亭","松树","竹子","桃花","饮酒","赋诗","聚会","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F140767863d6e7de949761cc86cc06bd4.jpg","",[],19,1,0,"BDBDBD",[38,40,42,44,46,48,50,52,54,56,58,60,62,64,66,68,70,72],{"name":12,"slug":39},"gao-qing",{"name":13,"slug":41},"guo-hua",{"name":14,"slug":43},"shu-hua",{"name":15,"slug":45},"chang-juan",{"name":16,"slug":47},"she-se",{"name":17,"slug":49},"gong-bi",{"name":18,"slug":51},"ren-wu",{"name":19,"slug":53},"shan-shui",{"name":20,"slug":55},"xiao-qiao",{"name":21,"slug":57},"liu-shui",{"name":22,"slug":59},"ting",{"name":23,"slug":61},"song-shu",{"name":24,"slug":63},"zhu-zi",{"name":25,"slug":65},"tao-hua",{"name":26,"slug":67},"yin-jiu",{"name":27,"slug":69},"fu-shi-2239",{"name":28,"slug":71},"ju-hui",{"name":29,"slug":73},"xing-shu",1777535418736]