[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"artwork-li-hua-shuang-jiu-tu-yu-yuan-220315":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},220315,"li-hua-shuang-jiu-tu-yu-yuan-220315","梨花双鸠图","明","虞沅","辛辛那提艺术博物馆","陶渊明的诗作在清新自然的氛围中营造了一种恬淡宁静、纯朴自然的境界，这正是老庄艺术境界与人生境界的合一。钱选追慕陶渊明式的的隐逸生活，他曾画了多幅《归去来图》以示对陶潜的景仰之情，画中曾经题诗：“衡门植五柳，东篱采丛菊。长啸有余清，无奈酒不足。当世宜沈酣，作色召侮辱。乘兴赋归欤，千载一辞独。”钱选的传世作品《柴桑翁像》卷描绘陶渊明头戴明纱巾，脚着木屐，携杖款款而行的样子。画中题道：“晋陶渊明得天真之趣，无青州从事而不可陶写胸中磊落，尝命童子佩酒以随，故时人模写之。余不敏，亦写此以况。”可见钱选是借陶渊明来书写胸臆，仿陶潜之隐逸，寻道老庄，建自身之心隐，表达对陶潜自喻的隐居素志和平淡生活情趣的田园生活的向往，钱选在生活和绘画创作中极力营造心目中“桃花源”，一个平和、繁华但又远离尘世，隐心俗世之外，又从世外深情俯视人间之境。",[12,13,14,15,16,17,18,19,20],"高清","国画","书画","立轴","工笔","设色","花鸟","梨花","鸠鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f327fd3c66d28a0a0a4df196d628d00.jpg","绢本,设色","97cm×30.2cm","花鸟画精选",[24],75,0,"795548",[30,32,34,36,38,40,42,44,46],{"name":12,"slug":31},"gao-qing",{"name":13,"slug":33},"guo-hua",{"name":14,"slug":35},"shu-hua",{"name":15,"slug":37},"li-zhou",{"name":16,"slug":39},"gong-bi",{"name":17,"slug":41},"she-se",{"name":18,"slug":43},"hua-niao",{"name":19,"slug":45},"li-hua",{"name":20,"slug":47},"jiu-niao",1777535400444]