[{"data":1,"prerenderedAt":61},["ShallowReactive",2],{"artwork-li-nu-xian-qu-tu-juan-liang-kai-232879":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":32,"mainColor":33,"tagLinks":34},232879,"li-nu-xian-qu-tu-juan-liang-kai-232879","狸奴闲趣图卷","宋","梁楷","藏地不详","宋代画坛，因为有皇家画院的支持和倡导，各类题材的国画大多崇尚描摹精微、细致逼真的画风。这种风格将我国古代工笔画推向了顶峰，也长久以来占据主流地位。但物极必反，严整的工笔画到达极致，必定会走向散乱的写意。这一方面，梁楷可谓是我国古代写意画的开山祖师。\n梁楷是南宋著名画家，师从贾师古。贾师古以师法吴道子的写实工笔著称，而梁楷能在其基础上更胜一筹，青出于蓝。梁楷曾在宁宗朝的画院供职，他继承吴道子写实技法的画风，无疑是非常受皇帝青睐的。他常常奉皇帝诏令，画了许多细腻严整的工笔画。\n这一时期的梁楷已经享有盛名，人们见到他精妙的画作，“无不敬服”。比如《狸奴闲趣图卷》里面的猫，形态各异细腻活泼，通体的毛都纤毫毕现。更不必说周围逼真的山石、花草、蝴蝶，刻画之精细，给人如在目前之感。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"高清","国画","名画","长卷","设色","工笔","猫","竹","花","蝶","石","草","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F980cc771075692f3c9ed45d7b13dcd33.jpg","绢本","33.2x185.4厘米","",[],118,3,0,"795548",[35,37,39,41,43,45,47,49,51,53,55,57,59],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"ming-hua",{"name":15,"slug":42},"chang-juan",{"name":16,"slug":44},"she-se",{"name":17,"slug":46},"gong-bi",{"name":18,"slug":48},"mao",{"name":19,"slug":50},"zhu",{"name":20,"slug":52},"hua",{"name":21,"slug":54},"die",{"name":22,"slug":56},"shi",{"name":23,"slug":58},"cao",{"name":24,"slug":60},"shou",1777535397065]