[{"data":1,"prerenderedAt":56},["ShallowReactive",2],{"artwork-long-mian-shan-zhuang-tu-er-ju-bu-li-gong-lin-227605":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":29,"mainColor":30,"tagLinks":31},227605,"long-mian-shan-zhuang-tu-er-ju-bu-li-gong-lin-227605","龙眠山庄图二（局部）","宋","李公麟","藏地不详","《龙眠山庄图》亦称《山庄图》，是宋代杰出画家李公麟的白描山水画。画面表现的是由建德馆至垂云片的龙眠山庄图景。自西而东凡数里，岩谔隐见，泉源相属，山行者路穷于此。《宣和画谱》称《山庄图》，可以配王维《辋川图》；《佩文斋书画谱》亦说《山庄图》用王维《辋川图》的画法：“而行笔细润，乃有超越之意”。苏轼为之记，苏辙为之赋诗，凡二十首。《山庄图》既出，便为世人所珍爱。《山庄图》不仅是一幅远离尘嚣的山村风俗画卷，更体现了山庄主人思想倾向和生活情致。苏轼在《题李伯时〈山庄图〉后》说，李公麟在龙眠山，并非留意一草一木，然而《山庄图》“其神与万物交，其智与百工通。”所以他称李公麟为“有道有艺”的画家。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","名画","国画","书画","白描","山水","人物","山石","树木","小屋","洞穴","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae494a47b809a3618a60d989e4610588.jpg","","人物画精选",[26],25,0,"795548",[32,34,36,38,40,42,44,46,48,50,52,54],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"ming-hua",{"name":14,"slug":37},"guo-hua",{"name":15,"slug":39},"shu-hua",{"name":16,"slug":41},"bai-miao",{"name":17,"slug":43},"shan-shui",{"name":18,"slug":45},"ren-wu",{"name":19,"slug":47},"shan-shi",{"name":20,"slug":49},"shu-mu",{"name":21,"slug":51},"xiao-wu",{"name":22,"slug":53},"dong-xue",{"name":23,"slug":55},"cun-fa",1777535413987]