[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-long-zhou-duo-biao-tu-juan-yi-ming-233115":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},233115,"long-zhou-duo-biao-tu-juan-yi-ming-233115","龙舟夺标图卷","元","佚名","台北故宫博物院","墨线白描界画楼阁反映了元代建筑绘画最为典型的时代新风，宫廷画家王振鹏则是这种风格的代表人物。\n他曾先后两次画过《金明池夺标图》卷，描绘的是北宋崇宁年间（112-116年），每年三月三日皇室在宫廷后苑金明池举办龙舟竞渡的盛大场面。\n由于王振鹏颇负盛誉并受到当时贵戚大长公主的赞赏，引得后人纷纷临摹，至今传世的摹本和改绘本仍有七八本之多。\n此卷笔法秀劲细密，纯用白描、舍弃设色的表现手法更使画面千繁万复而不显阻滞拥塞，给人细腻、明洁、素雅之感。\n殿阁巍峨，龙舟争渡，旌旗猎猎，橹桨奋动，动态的舟船和众多的人物活动打破了静态楼阁的沉寂，赋予了通常流于平板的建筑画紧张的情节和热烈的气氛，反映出王振鹏建筑画的风格特点。\n正如虞集所评：“振鹏之学，妙在界画，方圆平直，曲尽其体，而神气飞动，不为法拘。”",[12,13,14,15,16,17,18,19,20,21],"国画","书画","名画","长卷","白描","人物","龙舟","树木","马","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe290f2a56042ec07c31d9aaf702c8382.jpg","绢本，设色","该幅 29.5x359公分、隔水一 18公分、隔水二 18.8公分","",[],45,0,"795548",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"guo-hua",{"name":13,"slug":34},"shu-hua",{"name":14,"slug":36},"ming-hua",{"name":15,"slug":38},"chang-juan",{"name":16,"slug":40},"bai-miao",{"name":17,"slug":42},"ren-wu",{"name":18,"slug":44},"long-zhou",{"name":19,"slug":46},"shu-mu",{"name":20,"slug":48},"ma",{"name":21,"slug":50},"yin-zhang",1777535406156]