[{"data":1,"prerenderedAt":55},["ShallowReactive",2],{"artwork-long-zhou-duo-biao-zhou-wu-ting-hui-290955":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},290955,"long-zhou-duo-biao-zhou-wu-ting-hui-290955","龙舟夺标轴","元","吴廷晖","台北故宫博物院","墨线白描界画楼阁反映了元代建筑绘画最为典型的时代新风，宫廷画家王振鹏则是这种风格的代表人物。他曾先后两次画过《金明池龙舟竞渡图》卷，描绘的是北宋崇宁年间（1102-1106年），每年皇室在宫廷后苑金明池举办龙舟竞渡的盛大场面。由于王振鹏颇负盛誉并受到当时贵戚大长公主的赞赏，引得后人纷纷临摹，至今传世的摹本和改绘本仍有七、八本之多。此卷笔法秀劲细密，纯用白描、舍弃设色的表现手法更使画面千繁万复而不显阻滞拥塞，给人细腻、明洁、素雅之感。殿阁巍峨，龙舟争渡，旌旗猎猎，橹桨奋动，动态的舟船和众多的人物活动打破了静态楼阁的沉寂，赋予了通常流于平板的建筑画紧张的情节和热烈的气氛，反映出王振鹏建筑画的风格特点。正如虞集所评：“振鹏之学，妙在界画，方圆平直，曲尽其体，而神气飞动，不为法拘。”",[12,13,14,15,16,17,18,19,20,21,22],"国画","立轴","界画","设色","龙舟","楼阁","山水","树木","船只","亭","龙舟夺标","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfaac7c9f64d3cb8ff91cd3ca0120e38.jpg","绢本,设色","124.1x65.6","",[],38,3,0,"795548",[33,35,37,39,41,43,45,47,49,51,53],{"name":12,"slug":34},"guo-hua",{"name":13,"slug":36},"li-zhou",{"name":14,"slug":38},"jie-hua",{"name":15,"slug":40},"she-se",{"name":16,"slug":42},"long-zhou",{"name":17,"slug":44},"lou-ge",{"name":18,"slug":46},"shan-shui",{"name":19,"slug":48},"shu-mu",{"name":20,"slug":50},"chuan-zhi",{"name":21,"slug":52},"ting",{"name":22,"slug":54},"long-zhou-duo-biao",1777535408028]