[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"artwork-luo-han-tu-zhou-si-tiao-ping-shi-tao-288176":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":29,"mainColor":30,"tagLinks":31},288176,"luo-han-tu-zhou-si-tiao-ping-shi-tao-288176","罗汉图轴四条屏","清","石涛","藏地不详","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[12,13,14,15,16,17,18,19,20,21,22],"高清","国画","立轴","水墨","白描","人物","宗教","罗汉","枯树","山石","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66c84d5e6a7fd73e848716f9d8934ef5.jpg","未知","Xcm*Xcm","",[],32,0,"BDBDBD",[32,34,36,38,40,42,44,46,48,50,52],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"guo-hua",{"name":14,"slug":37},"li-zhou",{"name":15,"slug":39},"shui-mo",{"name":16,"slug":41},"bai-miao",{"name":17,"slug":43},"ren-wu",{"name":18,"slug":45},"zong-jiao",{"name":19,"slug":47},"luo-han",{"name":20,"slug":49},"ku-shu",{"name":21,"slug":51},"shan-shi",{"name":22,"slug":53},"yin-zhang",1777535410339]