[{"data":1,"prerenderedAt":72},["ShallowReactive",2],{"artwork-mao-shi-tu-li-zhou-zhou-chen-222374":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":29,"material":17,"size":30,"collection":31,"collections":32,"showCount":34,"zanCount":35,"manualWeight":35,"mainColor":36,"tagLinks":37},222374,"mao-shi-tu-li-zhou-zhou-chen-222374","毛诗图立轴","明","周臣","美国普林斯顿大学美术馆","周臣（1460–1535），字舜卿，号东村，中国明代著名画家。吴（今江苏苏州）人。擅画。\n中国明代中期的著名职业画家。他生活在成化至嘉靖年间。字舜卿，号东村，吴（今江苏苏州）人，生年不详，卒于明世宗嘉靖十四年（即1535年）。擅长画人物和山水，画法严整工细。他有两个学生特别著名，一个唐寅，另一个仇英。唐寅、仇英青出于蓝，风格上极为接近，但当时名气已超过老师。\n周臣山水师承陈暹。曾刻苦临摹李成、郭熙、李唐、马远等作品，其主要取法于李唐派系。画山石坚凝，章法严谨，用笔纯熟。曾与戴进并驱，则互有所长。人物画也非常出色，古貌奇姿，绵密萧散，各极意态。南京博物院收藏的周臣代表作《柴门送别图》 ，描绘一文人携琴访友后，主客分别时依依不舍的情景，明月早已挂在高空，船工也已在船头熟睡，直至客人快要上船了，他还未酲来，说明主客送别时间之长，友谊之深，这其中也融含周臣画体的“院体画”与“文人画”的相融之处。周臣被人们称为非院派的“院派”画家。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28],"高清","国画","书画","立轴","水墨","设色","工笔","皴法","山水","人物","老树","枯树","房屋","河流","鸭子","小径","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18e12fdc6c23cc97a6172a922d5bc6c1.jpg","54．70x38．40cm","山水画精选",[31,33],"水墨画精选",43,0,"795548",[38,40,42,44,46,48,50,52,54,56,58,60,62,64,66,68,70],{"name":12,"slug":39},"gao-qing",{"name":13,"slug":41},"guo-hua",{"name":14,"slug":43},"shu-hua",{"name":15,"slug":45},"li-zhou",{"name":16,"slug":47},"shui-mo",{"name":17,"slug":49},"she-se",{"name":18,"slug":51},"gong-bi",{"name":19,"slug":53},"cun-fa",{"name":20,"slug":55},"shan-shui",{"name":21,"slug":57},"ren-wu",{"name":22,"slug":59},"lao-shu",{"name":23,"slug":61},"ku-shu",{"name":24,"slug":63},"fang-wu",{"name":25,"slug":65},"he-liu",{"name":26,"slug":67},"ya-zi",{"name":27,"slug":69},"xiao-jing",{"name":28,"slug":71},"yin-zhang",1777535406745]