[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"artwork-mei-hua-cui-niao-tu-juan-xu-xi-221429":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":31,"zanCount":32,"manualWeight":33,"mainColor":34,"tagLinks":35},221429,"mei-hua-cui-niao-tu-juan-xu-xi-221429","梅花翠鸟图卷","五代十国","徐熙","藏地不详","圖繪梅花翠鳥，滿樹梅花開放，粉色的茶花間插其中，鳥兒立於枝頭嬉戲，原來冬天可以這麼美！徐熙，五代南唐畫家，金陵（今南京）人，一說鍾陵（今江西進賢）人。出身於「江南名族」。生於唐僖宗光啓年間，後在開寶末年（公元975）隨李後主歸宋，不久病故。一生未官，郭若虛稱他爲「江南處士」。沈括說他是「江南布衣」。其性情豪爽曠達，志節高邁，善畫花竹林木，蟬蝶草蟲，其妙與自然無異。後人將其與後蜀黃筌並稱爲「黃徐」，有「黃家富貴，徐熙野逸」之評，爲五代、宋初花鳥畫的兩大流派之代表。」\n宋代沈括形容徐熙畫「以墨筆爲之，殊草草，略施丹粉而已，神氣迥出，別有生動之意」(《夢溪筆談》)。宋代《德隅齋畫品》中著錄徐熙《鶴竹圖》，謂其畫竹「根幹節葉皆用濃墨粗筆，其間櫛比，略以青綠點拂，而其梢蕭然有拂雲之氣」。米芾又謂他畫花果有時用澄心堂紙，用絹則「其紋稍粗如布」。這種題材和畫法都表現他作爲江南處士的情懷和審美趣味，與妙在賦彩、細筆輕色的「黃家富貴」不同，﹝指黃筌與黃居寀父子﹞而形成另一種獨特風格，被宋人稱爲「徐熙野逸」。然而《圖畫見聞志》中記徐熙爲南唐宮廷所繪的「鋪殿花」、「裝堂花」，於「雙縑幅素上畫叢豔疊石，傍出藥苗，雜以禽鳥蜂蟬之妙」，「意在位置端莊，駢羅整肅，多不存生意自然之態」。這種富有裝飾性的繪畫，也構成了徐熙繪畫的另一風貌。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","名画","国画","书画","长卷","工笔","设色","花鸟","梅","飞鸟","鸟","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b7029d7b97054b08ec5392ac417022c.jpg","絹本設色","33.8cm×236.2cm","宋画精选",[27,29,30],"花鸟画精选","设色画精选",1532,29,0,"795548",[36,38,40,42,44,46,48,50,52,54,56,58],{"name":12,"slug":37},"gao-qing",{"name":13,"slug":39},"ming-hua",{"name":14,"slug":41},"guo-hua",{"name":15,"slug":43},"shu-hua",{"name":16,"slug":45},"chang-juan",{"name":17,"slug":47},"gong-bi",{"name":18,"slug":49},"she-se",{"name":19,"slug":51},"hua-niao",{"name":20,"slug":53},"mei",{"name":21,"slug":55},"fei-niao",{"name":22,"slug":57},"niao",{"name":23,"slug":59},"hua",1777535392651]