[{"data":1,"prerenderedAt":47},["ShallowReactive",2],{"artwork-meng-lou-fu-qin-tu-zhou-wang-zhao-ji-235090":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":22,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":26,"mainColor":27,"tagLinks":28},235090,"meng-lou-fu-qin-tu-zhou-wang-zhao-ji-235090","梦楼抚琴图轴","清","王肇基","藏地不详","《梦楼抚琴图轴》纵54cm，横26.4cm。\n清代文物。\n名称： 梦楼抚琴图轴 年代：清 作者：王肇基 特征：绢本，设色 尺寸：纵54cm，横26.4cm。\n本幅王肇基题：“爱镜者美人，爱剑者侠客，名士则爱砚，嗜好各成癖。\n先生放达人，耽此琴三尺，世俗竞淫哇，太古音谁识？庚辰孟夏月，梦楼宗台抚琴图。\n王肇基绘并题。\n”下钤“王肇基印”白文印、“镜香”朱文印。\n“庚辰”为清乾隆二十五年（176年），这一年，王肇基6岁，王文治（号梦楼）1岁。\n“孟夏月”则正值会考结束，殿试、御赐之前。\n王文治在这年的五月初十日得中进士第三人。\n图绘王文治在室内的画像。\n他手持折扇神情淡定地端坐在木椅上，身旁条案上摆有古琴和香炉，身后的花架上则置有盛开的兰花一盆。\n虽然点景物象不多，但是它们高低错落的陈设，丰富了画面的纵深空间，同时，也映衬出像主王文治幽兰般的君子心志和以琴瑟为伴的文化素养。",[12,13,14,15,16,17,18,19,20],"国画","书画","立轴","设色","人物","乐器","琴","盆栽","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2463e961b794a748f0e3b21f09314859.jpg","",[],11,1,0,"BDBDBD",[29,31,33,35,37,39,41,43,45],{"name":12,"slug":30},"guo-hua",{"name":13,"slug":32},"shu-hua",{"name":14,"slug":34},"li-zhou",{"name":15,"slug":36},"she-se",{"name":16,"slug":38},"ren-wu",{"name":17,"slug":40},"yue-qi",{"name":18,"slug":42},"qin",{"name":19,"slug":44},"pen-zai",{"name":20,"slug":46},"yin-zhang",1777535428636]