[{"data":1,"prerenderedAt":87},["ShallowReactive",2],{"artwork-mi-lai-si-118-yue-han-ai-fu-li-te-mi-lai-si-232574":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":40,"mainColor":41,"tagLinks":42},232574,"mi-lai-si-118-yue-han-ai-fu-li-te-mi-lai-si-232574","米莱斯118","不详","约翰·埃弗里特米莱斯","藏地不详","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33],"白描","素描","黑白","线条勾勒","人物","画架","调色板","画笔","桌子","椅子","绅士","聚会","室内","室外","日常场景","绘画活动","社交交谈","戴帽人物","餐桌","座椅","艺术创作","人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F356922e47f9ff208cd235b3ea0edcb70.jpg","未知","Xcm*Xcm","",[],1,0,"BDBDBD",[43,45,47,49,51,53,55,57,59,61,63,65,67,69,71,73,75,77,79,81,83,85],{"name":12,"slug":44},"bai-miao",{"name":13,"slug":46},"su-miao",{"name":14,"slug":48},"hei-bai",{"name":15,"slug":50},"xian-tiao-gou-le",{"name":16,"slug":52},"ren-wu",{"name":17,"slug":54},"hua-jia",{"name":18,"slug":56},"tiao-se-ban",{"name":19,"slug":58},"hua-bi",{"name":20,"slug":60},"zhuo-zi",{"name":21,"slug":62},"yi-zi",{"name":22,"slug":64},"shen-shi",{"name":23,"slug":66},"ju-hui",{"name":24,"slug":68},"shi-nei",{"name":25,"slug":70},"shi-wai",{"name":26,"slug":72},"ri-chang-chang-jing",{"name":27,"slug":74},"hui-hua-huo-dong",{"name":28,"slug":76},"she-jiao-jiao-tan",{"name":29,"slug":78},"dai-mao-ren-wu",{"name":30,"slug":80},"can-zhuo",{"name":31,"slug":82},"zuo-yi",{"name":32,"slug":84},"yi-shu-chuang-zuo",{"name":33,"slug":86},"ren-wu-qun-xiang",1777535498087]