[{"data":1,"prerenderedAt":41},["ShallowReactive",2],{"artwork-mi-se-qing-ci-tuo-yuan-yan-yuan-wei-qi-zuo-hou-gai-zhi-cheng-yan-tai-yi-ming-223799":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":19,"size":20,"collection":21,"collections":22,"showCount":23,"zanCount":24,"manualWeight":24,"mainColor":25,"tagLinks":26},223799,"mi-se-qing-ci-tuo-yuan-yan-yuan-wei-qi-zuo-hou-gai-zhi-cheng-yan-tai-yi-ming-223799","米色青瓷椭圆砚（原为器座，后改制成砚台）","宋","佚名","藏地不详","唐人造的箕形，看它下摆的两条边线，略微的向外那么一延展，尝觉得，颇似一站立的人，张开手臂向外。而以宋人的抄手砚看，人觉得仍是站着，可是双臂拢起了。\n宋人不再如唐砚那般，郁结于一砚的厚薄高低，它们越过一方砚的三足，五足亦或多足，制砚上不再欲行又止犹犹豫豫摸着石头过河。宋代，砚有了方正式，椭圆样。这样的长，宽，厚度，式样，不再是忽有忽无，时隐时现，而是有了规范态势。宋代，砚的池、堂、边，不再浑如唐箕的说不清道不明，它们有了明确界定，开始各司其职。通俗地说，宋代，砚有了属于砚的相貌，有了自己特有的区别于它物的形态，样式。\n宋砚的天下，是石质砚的天下。尽管石质入砚，以石为砚，汉砚甚至更为古老的石器时代，古人便有过琢磨，涉及。尽管，聪明的古人不仅以石入砚，先民还用铜质，铁质，陶泥，瓷质，玉质等等尝试过制砚。也尽管，开启石质制砚时代大门的是唐人。",[7,12,13,14,15,16,17],"青瓷","米色","开片","砚","陶瓷","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f690ca54ee56423c0fc5ded261101e0.jpg","未知","Xcm*Xcm","",[],4,0,"795548",[27,29,31,33,35,37,39],{"name":7,"slug":28},"song-670",{"name":12,"slug":30},"qing-ci",{"name":13,"slug":32},"mi-se",{"name":14,"slug":34},"kai-pian",{"name":15,"slug":36},"yan",{"name":16,"slug":38},"tao-ci",{"name":17,"slug":40},"qi",1777535451541]