[{"data":1,"prerenderedAt":74},["ShallowReactive",2],{"artwork-ming-ren-qiu-jing-huo-lang-tu-zhou-yi-ming-234931":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":30,"material":31,"size":31,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":35,"mainColor":36,"tagLinks":37},234931,"ming-ren-qiu-jing-huo-lang-tu-zhou-yi-ming-234931","明人秋景货郎图轴","明","佚名","藏地不详","当“双十一”掀开一个全民购物狂欢的序幕，放眼远在千百年前的临安街头，货郎们一人一担一声叫卖，仅凭这种最原始的“人肉购物车”，便足以吸引市井众人的注目，引出一番欢悦的情景。李嵩等画家以此为题奋笔挥毫，定格了过去一段段市井风貌。沉醉于塞满购物车再一朝清空快感的，不光只有21世纪的网购达人，中国古人的“购物车”更是让人眼花缭乱，甚至叹为观止。 在历代流传下来的“货郎图”图示中，我们便可略窥一二。宋代绘画是写实主义的巅峰，《货郎图》则是这一巅峰上的一片奇岫。南宋吴自牧《梦粱录》中提到，当时杭州的小贩在沿街叫卖时“挑担抬盘架”，“担瑜石钉铰金装架儿”，《清明上河图》中，也有货郎在一根扁担的两头各挑一个货架，说明这种一根扁担挑两个货架的销售形式，在两宋很是普遍。因此，画中这位货郎和他的货担，可谓是对十一至十三世纪的流动小商贩的忠实记录。“货郎图”是宋代较为流行的一种表现当时流动小商品买卖的绘画形式。如今存世较为知名的主要有四幅南宋李嵩的《货郎图》（分别藏于北京故宫博物院、台北故宫博物院、美国大都会博物院、美国克利夫兰美术馆）以及一幅传为北宋苏汉臣所作的《货郎图》。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29],"国画","设色","工笔","立轴","人物","儿童","妇女","货郎","树木","栏杆","山石","花草","器物","秋景","服饰","货郎担","棚架","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b38b5a780482a0e4fa98b8ed68079b5.jpg","",[],37,1,0,"795548",[38,40,42,44,46,48,50,52,54,56,58,60,62,64,66,68,70,72],{"name":12,"slug":39},"guo-hua",{"name":13,"slug":41},"she-se",{"name":14,"slug":43},"gong-bi",{"name":15,"slug":45},"li-zhou",{"name":16,"slug":47},"ren-wu",{"name":17,"slug":49},"er-tong",{"name":18,"slug":51},"fu-nv",{"name":19,"slug":53},"huo-lang",{"name":20,"slug":55},"shu-mu",{"name":21,"slug":57},"lan-gan",{"name":22,"slug":59},"shan-shi",{"name":23,"slug":61},"hua-cao",{"name":24,"slug":63},"qi-wu",{"name":25,"slug":65},"qiu-jing",{"name":26,"slug":67},"fu-shi",{"name":27,"slug":69},"huo-lang-dan",{"name":28,"slug":71},"peng-jia",{"name":29,"slug":73},"zhi-wu",1777535408479]