[{"data":1,"prerenderedAt":43},["ShallowReactive",2],{"artwork-ming-ren-shu-kui-wan-ye-yi-ming-234680":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":20,"material":21,"size":21,"collection":21,"collections":22,"showCount":23,"zanCount":24,"manualWeight":24,"mainColor":25,"tagLinks":26},234680,"ming-ren-shu-kui-wan-ye-yi-ming-234680","明人蜀葵纨页","明","佚名","藏地不详","扇面画的历史源流，据张彦远《历代名画记》记载，三国时，曹操就有请杨修为其画扇的故事。到了唐代画扇之风更为盛行，当时的扇子还是圆形的，故称团扇。宋代宫廷画家更是画扇成风，且留下扇面画也很多，扇子的形制出现了芭蕉形的扇子。集书法、绘画于一扇，则始于明代，这是因为折扇形式的出现。国人历来都有这种习性，一件实用品总要给它艺术化，扇面画就是这样经过明清书画家的匠心经营，从而逐步确定了其作为一种独特的艺术品种而广泛普及、流传下来，继而也逐步形成了扇面画独立的审美体系。及至清代、民国，扇面画都是书画家乐于染翰和文人雅士乐于把玩、收藏的艺术品。",[12,13,14,15,16,17,18,19],"国画","书画","扇面","工笔","设色","花鸟","蜀葵","明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a3de9dc56a64f73b459d7e9d6af110f.jpg","",[],22,0,"795548",[27,29,31,33,35,37,39,41],{"name":12,"slug":28},"guo-hua",{"name":13,"slug":30},"shu-hua",{"name":14,"slug":32},"shan-mian",{"name":15,"slug":34},"gong-bi",{"name":16,"slug":36},"she-se",{"name":17,"slug":38},"hua-niao",{"name":18,"slug":40},"shu-kui",{"name":19,"slug":42},"ming-dai",1777535416258]