[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"artwork-mo-zhang-xuan-dao-lian-tu-zhao-ji-221330":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":31,"zanCount":32,"manualWeight":33,"mainColor":34,"tagLinks":35},221330,"mo-zhang-xuan-dao-lian-tu-zhao-ji-221330","摹张萱捣练图","宋","赵佶","美国波士顿博物馆","卷中绘唐装仕女、女仆、女童十二人，依次为捣练、圈线、缝衣、熨练的情景。人物姿态雍容，线描挺劲，赋色浓丽。画中无款识，前隔水细花黄绫上有金章宗完颜璟仿徽宗瘦金体书题「天水摹张萱捣练图」。\n卷后有明初张绅、清高士奇、近人罗文彬题跋。画卷上分钤金章宗明昌七玺，清高士奇、金望乔等鉴藏印。《江村书画目》《大观录》《墨缘汇观续录》著录。\n「天水」为赵氏郡望，历来将此作系于宋徽宗赵佶名下，但丛用笔赋色的细腻精巧等特征来看，应出自宣和画院画家之手，不是徽宗亲笔。此图虽系摹本，但结合传世的如《挥扇仕女图》等唐人作品考察，可推知应为比较忠实的摹古之作，保留了十分珍贵的唐代绘画资料。特别是在张萱原作不存的情况下，我们据此可以探究张萱的绘画风貌。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","国画","书画","长卷","工笔","设色","人物","美人","临摹","布料","衣帽","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff64ccfee95d303f5ca82b607f6c92ef6.jpg","扇面画","纵：37厘米，横：145.3厘米","宋画精选",[27,29,30],"人物画精选","设色画精选",2907,23,0,"795548",[36,38,40,42,44,46,48,50,52,54,56,58],{"name":12,"slug":37},"gao-qing",{"name":13,"slug":39},"guo-hua",{"name":14,"slug":41},"shu-hua",{"name":15,"slug":43},"chang-juan",{"name":16,"slug":45},"gong-bi",{"name":17,"slug":47},"she-se",{"name":18,"slug":49},"ren-wu",{"name":19,"slug":51},"mei-ren",{"name":20,"slug":53},"lin-mo",{"name":21,"slug":55},"bu-liao",{"name":22,"slug":57},"yi-mao",{"name":23,"slug":59},"qi",1777535391048]