[{"data":1,"prerenderedAt":56},["ShallowReactive",2],{"artwork-mo-zhu-juan-2-su-shi-227498":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":25,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":29,"mainColor":30,"tagLinks":31},227498,"mo-zhu-juan-2-su-shi-227498","墨竹卷2","宋","苏轼","藏地不详","墨竹，即用墨画的竹子，其起源说法不一，据文献记载，其创始人有唐代吴道子、王维、张立、五代蜀李夫人等。\n\n不过，由考古发掘来看，李贤墓壁画《侍女与竹》中的墨竹，亦有可能是写意墨竹的先驱。自文同、苏轼至元四家，墨竹之风兴起，逐渐发展为独立画科。\n\n墨竹常被用来表达拔俗之情趣、正直之气节、虚心之品质和纯洁之思想，文同便是如此，他不仅有丰厚之学养，还有非凡的绘画创作才能。本文所提到的《文画苏题卷》为手卷形式，据直幅改装而成，与人们常见的文同立轴式墨竹图形制不一。正因这次有意无意的改装，为《文画苏题卷》成为一巨幅长卷，提供了得天独厚的条件，这也成为此图区别于文同其它墨竹图的最明显特征。",[12,13,14,15,16,17,18,19,20,21,22,23],"国画","名画","书画","水墨","墨笔","文人画","写意","竹子","孤石","竹枝","竹叶","绢本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaf98af604cad8076b0774dbcc54a8ab.jpg","",[],53,1,0,"795548",[32,34,36,38,40,42,44,46,48,50,52,54],{"name":12,"slug":33},"guo-hua",{"name":13,"slug":35},"ming-hua",{"name":14,"slug":37},"shu-hua",{"name":15,"slug":39},"shui-mo",{"name":16,"slug":41},"mo-bi",{"name":17,"slug":43},"wen-ren-hua",{"name":18,"slug":45},"xie-yi",{"name":19,"slug":47},"zhu-zi",{"name":20,"slug":49},"gu-shi",{"name":21,"slug":51},"zhu-zhi-1692",{"name":22,"slug":53},"zhu-ye",{"name":23,"slug":55},"juan-ben",1777535404284]