[{"data":1,"prerenderedAt":42},["ShallowReactive",2],{"artwork-mu-dan-he-jin-si-que-ge-shi-bei-zhai-231574":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":25,"mainColor":26,"tagLinks":27},231574,"mu-dan-he-jin-si-que-ge-shi-bei-zhai-231574","牡丹和金丝雀","不详","葛饰北斋","美国国会图书馆","这幅《牡丹和金丝雀》就是十分典型的葛饰北斋晚期花鸟画。 画面以亮丽的深蓝色为背景，前面是四朵开放得十分热烈的粉色牡丹，中间的花蕊灵动嫩白，在周围绿色的花叶衬托下显得更加娇妍欲滴。葛饰北斋将俯冲向牡丹的金丝雀画在了中央。金丝雀张开双翅，羽翼丰满光滑，富有活力，与平日养在精美鸟笼中的金丝雀截然不同。\n葛饰北斋一直被称为日本美术史上最奇特、最有才气的画家之一。他自称“画狂人”，一生留下了大量的作品，创作一直持续到他90岁去世时的前三个月。他的才能不仅在人们熟悉的风景画领域，在读本插图、花鸟画，甚至《百物语》这种妖怪画等领域都有崭新的表现。他的很多画作都令人耳目一新，深受江户市民的欢迎。",[12,13,14,15,16,17,18],"高清","浮世绘","木刻","设色","花鸟","牡丹","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3363479890ca007e42afefe258fccd82.jpg","布面油画","19.2 x 17.4 cm","",[],107,0,"37474F",[28,30,32,34,36,38,40],{"name":12,"slug":29},"gao-qing",{"name":13,"slug":31},"fu-shi-hui",{"name":14,"slug":33},"mu-ke",{"name":15,"slug":35},"she-se",{"name":16,"slug":37},"hua-niao",{"name":17,"slug":39},"mu-dan",{"name":18,"slug":41},"fei-niao",1777535397579]