[{"data":1,"prerenderedAt":49},["ShallowReactive",2],{"artwork-mu-se-yu-cun-tu-ye-xia-gui-227765":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":23,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":26,"mainColor":27,"tagLinks":28},227765,"mu-se-yu-cun-tu-ye-xia-gui-227765","暮色渔村图页","宋","夏圭","藏地不详","宋代绘画是中国绘画艺术发展的高峰。南宋退至杭州以后，宗室子弟也随之退至杭州，宗室子弟多具艺术兴趣、禀赋、修养。南宋虽偏安江南，但在绘画上却依然取得了瞩目的成就。宫廷绘画仍是当时绘画发展的主流，江南的自然和人文环境，使南宋绘画别具自己的特色。山水画从北宋全景式的大山大水及松石，变成了用笔简括、章法谨严、高度剪裁的边角特写。人物画着重挖掘人物的精神状貌及动人的情节，注重塑造性格鲜明的艺术形象。花鸟画努力进行形象提炼，有着高度的写实能力。而千姿百态的西湖画更显示了南宋画的特色。此时的文人士夫画在主观的表达和笔墨效果的探索上亦有较大的贡献。夏圭、马远、李唐和刘鹤年并称南宋四大画家。这里介绍四大画家之一夏圭绘画赏析，他的主要作品有《溪山清远图》《临流赋琴图》《雪堂客话图》《烟岫林居图》《西湖柳艇图》《洞庭秋月图》《梧竹溪堂图》《山水十二景图》《雪溪放牧图页》《风雨行舟图》《山腰楼观图页》《泽畔疾风图》《钱塘秋潮图》《松溪泛月图》《寒林对雪图》《山市晴岚图》《松崖客话图》《遥岑烟霭图》《灞桥风雪图》《观瀑图》《坐看云起图》《长江万里图》《捕鱼图团扇》等。",[12,13,14,15,16,17,18,19,20,21],"国画","水墨","皴法","册","山水","飞鸟","孤舟","老树","夕阳","渔乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17fd431501dd6f7cc9573e2445db7b27.jpg","",[],73,0,"795548",[29,31,33,35,37,39,41,43,45,47],{"name":12,"slug":30},"guo-hua",{"name":13,"slug":32},"shui-mo",{"name":14,"slug":34},"cun-fa",{"name":15,"slug":36},"ce",{"name":16,"slug":38},"shan-shui",{"name":17,"slug":40},"fei-niao",{"name":18,"slug":42},"gu-zhou",{"name":19,"slug":44},"lao-shu",{"name":20,"slug":46},"xi-yang",{"name":21,"slug":48},"yu-le",1777535400739]