[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"artwork-nei-tian-fa-lang-xi-fang-shi-nv-hu-yi-ming-229153":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},229153,"nei-tian-fa-lang-xi-fang-shi-nv-hu-yi-ming-229153","内填珐瑯西方仕女壶","清","佚名","藏地不详","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[12,13,14,15,16,17,18,19,20],"内填珐琅","珐琅器","铜胎","设色","西方仕女","龙纹","花卉纹样","日用器","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3614b614b04a36943c4fa4fe78911968.jpg","未知","Xcm*Xcm","",[],2,0,"37474F",[30,32,34,36,38,40,42,44,46],{"name":12,"slug":31},"nei-tian-fa-lang",{"name":13,"slug":33},"fa-lang-qi",{"name":14,"slug":35},"tong-tai",{"name":15,"slug":37},"she-se",{"name":16,"slug":39},"xi-fang-shi-nv",{"name":17,"slug":41},"long-wen",{"name":18,"slug":43},"hua-hui-wen-yang",{"name":19,"slug":45},"ri-yong-qi",{"name":20,"slug":47},"diao-ke",1777535471946]