[{"data":1,"prerenderedAt":49},["ShallowReactive",2],{"artwork-nv-shi-zhen-tu-juan-tang-mo-ben-gu-kai-zhi-227043":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":23,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":26,"mainColor":27,"tagLinks":28},227043,"nv-shi-zhen-tu-juan-tang-mo-ben-gu-kai-zhi-227043","女史箴图卷（唐摹本）","晋","顾恺之","藏地不详","《女史箴图》卷（宋摹），东晋，顾恺之绘，纸本，墨笔，横601厘米，纵27.9厘米。\n《女史箴》是西晋广武侯张华所写，文字内容是关于女子的德行操守，以教化训诫为目的。顾恺之将文中故事以图画的形式加以描绘，使之通俗易懂。现存《女史箴图》最早的画本是唐代摹本，原为清宫旧藏，现藏于大英博物馆。此卷为宋人摹本，全图有画11段，分别为“樊姬感庄”、“卫女矫桓”、“冯婕妤挡熊”、“班婕妤辞辇”、“防微虑远”、“知饰其性”、“出其言善”、“灵监无象”、“欢不可以渎”、“静恭自思”、“女史司箴”。本卷为白描人物，笔法流利，线条细劲连绵，比高古游丝描又多了几份挺健，更接近李公麟一派。人物形象有古意，此卷宋摹本较唐摹本画面内容多两段，对了解《女史箴图》母本及其流传，以及早期人物画法的演变具有重要的参考价值。\n引首为乾隆帝御书“王化之始”四字，后有包希鲁、谢询、张美和、赵谦等题记。本幅钤乾隆、嘉庆、宣统、梁清标等印22方。《石渠宝笈初编》卷32、35著录。",[12,13,14,15,16,17,18,19,20,21],"高清","名画","国画","书画","长卷","白描","设色","人物","兽","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca625f9e64012baaba56c85b5e980dc2.jpg","",[],123,0,"795548",[29,31,33,35,37,39,41,43,45,47],{"name":12,"slug":30},"gao-qing",{"name":13,"slug":32},"ming-hua",{"name":14,"slug":34},"guo-hua",{"name":15,"slug":36},"shu-hua",{"name":16,"slug":38},"chang-juan",{"name":17,"slug":40},"bai-miao",{"name":18,"slug":42},"she-se",{"name":19,"slug":44},"ren-wu",{"name":20,"slug":46},"shou",{"name":21,"slug":48},"yin-zhang",1777535396751]