[{"data":1,"prerenderedAt":61},["ShallowReactive",2],{"artwork-ping-ding-liang-jin-chuan-de-sheng-tu-ce-ai-qi-meng-238590":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":32,"mainColor":33,"tagLinks":34},238590,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-ai-qi-meng-238590","平定两金川得胜图册","清","艾启蒙","德国国立柏林民俗博物馆","两金川即大小金川，位于今四川省西部，大金川是大渡河上流，小金川则是大渡河上流东面的一条支流，都为藏族聚居地。自元代开始，中央政府先后在两金川分设土司，令其各守疆界，相互牵制，借以捍卫边围。惟土司众多，彼此之间每因承袭土职或边界纠纷日寻干戈，仇杀不已。清初沿明旧制，颁授印信，大小金川接受清廷册封。土司们常以朝廷名号恃强掠夺，蚕食邻邦，不安住牧，声势日盛，边境不安，加之大小金川在地理位置上接近成都，远连卫藏，威胁到内地的安全，为求永靖边围，乾隆皇帝遂兴师进剿，乃有平定大小金川之役。\n《平定两金川得胜图》描绘了清乾隆十二年至四十一年（1747—1776年）清政府两次出兵平定四川大小金川叛乱的战绩。十六幅图分别为：收复小金川、攻克喇穆及日则丫口、攻克罗博瓦山碉、攻克宜喜达尔图山梁、攻克日旁一带、攻克康萨尔山梁、攻克木思工噶克丫口、攻克宜喜甲索等处碉卡、攻克石真噶贼碉、攻克葘则大海昆色尔山梁并拉枯喇嘛寺等处、攻克贼巢、攻克科布曲索隆古山梁等处碉寨、攻克噶喇依报捷、郊台迎劳将军阿桂凯旋、午门受俘、紫光阁凯宴成功诸将士。\n较之《平定准噶尔得胜图》，该组铜版战图在造型、透视、构图等方面受中国传统画法影响更深，整个画面多利用散点透视的方法，去掉了阴影和明暗对比，因而画面呈现出一种平面效果。树木、山石皆用线蚀法刻画，层次感和质感稍差。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"铜版画","得胜图","画册","历史画","平定大小金川","山地","碉楼","士兵","战争场景","线蚀法","散点透视","山石","林木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1b6be4afc3a400f4ea003bfdf7d4806.jpg","","纵51cm，横88.5cm","山水画精选",[28],42,1,0,"BDBDBD",[35,37,39,41,43,45,47,49,51,53,55,57,59],{"name":12,"slug":36},"tong-ban-hua",{"name":13,"slug":38},"de-sheng-tu",{"name":14,"slug":40},"hua-ce",{"name":15,"slug":42},"li-shi-hua",{"name":16,"slug":44},"ping-ding-da-xiao-jin-chuan",{"name":17,"slug":46},"shan-di",{"name":18,"slug":48},"diao-lou",{"name":19,"slug":50},"shi-bing",{"name":20,"slug":52},"zhan-zheng-chang-jing",{"name":21,"slug":54},"xian-shi-fa",{"name":22,"slug":56},"san-dian-tou-shi",{"name":23,"slug":58},"shan-shi",{"name":24,"slug":60},"lin-mu",1777535406928]