[{"data":1,"prerenderedAt":49},["ShallowReactive",2],{"artwork-ping-ding-miao-jiang-zhan-tu-ce-yi-ming-233087":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":28,"mainColor":29,"tagLinks":30},233087,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-233087","平定苗疆战图册","清","佚名","北京故宫博物院","《平定苗疆得胜图》亦称《湖南战役图》，十六幅图依次为：兴师图、剿捕秀山苗匪、攻克木山、攻解松桃之围、大剿土空寨苗匪解永绥城围、攻克兰草坪滚牛坡、攻克黄瓜寨剿贼、攻克苏麻寨、攻得茶它柳夯等处贼巢、攻克高多寨生擒逆首吴半生、攻克廖家冲生擒首逆石三保、收复乾州、攻克强虎哨、攻克平陇贼巢、捷来图、攻克石隆苗寨。\n清乾隆五十九年（1794年），湖南、贵州的苗民在石三堡、石柳邓、吴半生等人的率领下起义。清政府先后派云贵总督福康安、四川总督和琳等出兵镇压。《平定苗疆得胜图》是以这一历史事件中的几次重大战役为题材创作而成。\n作者采用了中国传统绘画中的皴法刻画山石麻皮状的纹理和峭立的山势，并以细腻的刻画手法及娴熟的线条运用较好地勾勒出物象的质感。战争场面气势恢宏，人物造型受中国传统木版画的影响，呈头大身小的特点，古朴稚拙。",[12,13,14,15,16,17,18,19,20],"国画","册页","历史画","皴法","设色","工笔","人物","山水","战争题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8076863820818571f41bf227ea75af01.jpg","纸本","纵55.4cm，横90.8cm","",[],3,1,0,"BDBDBD",[31,33,35,37,39,41,43,45,47],{"name":12,"slug":32},"guo-hua",{"name":13,"slug":34},"ce-ye",{"name":14,"slug":36},"li-shi-hua",{"name":15,"slug":38},"cun-fa",{"name":16,"slug":40},"she-se",{"name":17,"slug":42},"gong-bi",{"name":18,"slug":44},"ren-wu",{"name":19,"slug":46},"shan-shui",{"name":20,"slug":48},"zhan-zheng-ti-cai",1777535458465]