[{"data":1,"prerenderedAt":43},["ShallowReactive",2],{"artwork-po-mo-xian-ren-tu-juan-liang-kai-221608":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":26,"mainColor":27,"tagLinks":28},221608,"po-mo-xian-ren-tu-juan-liang-kai-221608","泼墨仙人图卷","宋","梁楷","台北故宫博物院","《泼墨仙人图》可以说是梁楷与画院画风决绝后,在绘画创作中自辟蹊径、独树一帜的具体体现。画面除面、胸部用细笔勾出轮廓外,其他皆用巨笔阔笔横扫,每一笔既有墨色的酣畅,又有水分的淋漓,十分纵肆狂放,已达到旁若无人的程度。从人物造型来看,作者有意夸张其头额部分,几乎占去整个头的三分之二,而把五官挤在下部很小的面积上,垂眉、细眼,鼻扁而大,嘴角下垂,既显得醉态可掬,却又诙谐滑稽,令人发笑,以生动的形象表现了作者的思想和生活态度,极尽嬉笑怒骂之态,从而体现了作品的思想深度。应该说梁楷画的不是“仙人”,而是他自己。",[12,13,14,15,16,17,18],"高清","国画","书画","水墨","泼墨","人物","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9da57b80a95a59b5229a6aa6845663ed.jpg","白纸本","48×27公分","",[],240,4,0,"BDBDBD",[29,31,33,35,37,39,41],{"name":12,"slug":30},"gao-qing",{"name":13,"slug":32},"guo-hua",{"name":14,"slug":34},"shu-hua",{"name":15,"slug":36},"shui-mo",{"name":16,"slug":38},"po-mo",{"name":17,"slug":40},"ren-wu",{"name":18,"slug":42},"yin-zhang",1777535394272]