[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-pu-tao-tu-wen-ri-guan-221249":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},221249,"pu-tao-tu-wen-ri-guan-221249","葡萄图","宋","温日观","藏地不详","善草书，精画葡萄，自成一家。他于一笔中带有深浅不同之墨色画叶，并以深墨点染仍带湿润 之葡萄，表现出明暗和体积，颇显自然逼真，人称“温葡萄”，很得赵孟頫推崇。元至元二十七年（1290），温日观偶遇同乡士人曾遇，得知他即将赴京，欣然画葡萄两幅，一幅托他带给赵孟頫，另一幅赠给曾遇。次年，赵孟頫在葡萄卷上题跋：“日观老师作墨葡萄，初若不经意，而枝叶肯棨，细玩之纤悉皆具，殆非学所能至。俗人恳恳求之，靳不与一笔。遇佳士，虽不求，辄索纸笔挥洒无吝色，岂可谓道人胸中无泾渭耶。吾与师仅一再面，去冬曾君自吴来燕，辱以一纸见寄，相望数千里不遐遗乃尔。因想胜风，欲相从西湖山水间，何可得也。”\n温日观画葡萄率意而作，天真烂漫，吐露心声。《画禅》称他：“自成一家法，人不可测。”由于他擅长草书，葡萄的梗须枝叶都用草书笔法，收藏者以此鉴别真赝。陈继儒称他：“葡萄极得草书三昧法。”有一幅作于至元二十八年（1291）的《葡萄图》轴，上面题诗“香稻雨催熟，丹心老变灰。夕阳归路近，魂梦日徘徊”，后流入日本。《葡萄图》卷现藏美国高居翰先生景元斋。为人超逸绝尘，出言愤世骇俗。行书法杨凝式。据戴表元《宋温日观书心经》题跋，说他“放浪啸傲于西湖三竺间五十年”，享年当在六十岁以上。",[12,13,14,15,16,17,18,19,20],"高清","名画","国画","书画","花鸟","水墨","葡萄","藤蔓","册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f93f7fe5ef5954868af2d6649c5e2f2.jpg","水墨纸本","27×188.5cm","宋画精选",[24,26,27],"花鸟画精选","水墨画精选",80,2,0,"795548",[33,35,37,39,41,43,45,47,49],{"name":12,"slug":34},"gao-qing",{"name":13,"slug":36},"ming-hua",{"name":14,"slug":38},"guo-hua",{"name":15,"slug":40},"shu-hua",{"name":16,"slug":42},"hua-niao",{"name":17,"slug":44},"shui-mo",{"name":18,"slug":46},"pu-tao",{"name":19,"slug":48},"teng-wan",{"name":20,"slug":50},"ce",1777535399737]