[{"data":1,"prerenderedAt":73},["ShallowReactive",2],{"artwork-qi-feng-bai-yun-tu-zhou-dong-qi-chang-220939":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":35,"zanCount":36,"manualWeight":36,"mainColor":37,"tagLinks":38},220939,"qi-feng-bai-yun-tu-zhou-dong-qi-chang-220939","奇峰白云图轴","明","董其昌","台北故宫博物院","董其昌《奇峰白云图轴》，纵273厘米，横58.9厘米，中国台北故宫博物馆藏。董其昌，字玄宰，号思白，华亭（今上海）人。万历十六年进士，官至礼部尚书。精鉴藏，工书善画。山水宗董巨，集宋元诸家之长。倡南北宗论，以南宗为正统，对清代画坛影响甚巨。\n\n此轴董氏描绘山村小景，境本寻常。奇峰矗立于天外，云影项洞于林表，遂觉景况清爽，分外宜人。画山画树皆用淡墨起手，逐层加浓。树中如有烟气，山色明净而郁厚，盖皆用墨之功也。\n\n由于勤奋和高寿，董其昌一生创作了许多山水画，“早年英锐，中年苍润，晚年纯以骨力胜”。据著录所载，董氏作品之多，在明代画家中仅有文征明可与之相比。这些山水画的题材比较丰富，大致可分为两类：一类是仿古名家的作品，如仿王维《寒林远岫图》、仿董源《夏口待渡图》、仿巨然《出云降雨图》、仿米芾《潇湘白云图》、仿王诜《烟江叠嶂图》、仿赵伯驹《春山读书图》、仿米友仁《楚山清晓图》、仿赵令穰《江乡清夏图》、仿高克恭《夏山烟雨图》、仿黄公望《富春山居图》、仿王蒙《云山小隐图》、仿倪瓒《横云秋霁图》、仿沈周《岚容川色图》等。这类作品虽称仿作，但不是模拟蹈袭，而是在学习前人技法的同时，融以自己的风格，含有继承传统、进而创新的成分。\n\n另一类是独自的创作，如《升山图》（现藏南京博物院）、《遥峰泼翠图》、《山川出云图》、《赠逊之山水图册》、《秋兴八景图册》（现藏上海博物馆）、《岩居图》、《潇湘奇观图》（现藏故宫博物院）、《霜林秋思图》、《婉娈草堂图》（现藏台北士林故宫博物院）、《山水八景图》（现藏美国普林斯顿大学美术馆）、《江山秋霁图》（现藏美国克里夫兰美术馆）等。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28],"高清","国画","书画","立轴","水墨","皴法","书法","印章","山水","奇峰","白云","树木","房屋","山石","河流","云雾","远山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e37fd90d7727b977ad5b9503509c64c.jpg","纸本","纵273厘米,横58.9厘米","山水画精选",[32,34],"水墨画精选",75,0,"BDBDBD",[39,41,43,45,47,49,51,53,55,57,59,61,63,65,67,69,71],{"name":12,"slug":40},"gao-qing",{"name":13,"slug":42},"guo-hua",{"name":14,"slug":44},"shu-hua",{"name":15,"slug":46},"li-zhou",{"name":16,"slug":48},"shui-mo",{"name":17,"slug":50},"cun-fa",{"name":18,"slug":52},"shu-fa",{"name":19,"slug":54},"yin-zhang",{"name":20,"slug":56},"shan-shui",{"name":21,"slug":58},"qi-feng",{"name":22,"slug":60},"bai-yun",{"name":23,"slug":62},"shu-mu",{"name":24,"slug":64},"fang-wu",{"name":25,"slug":66},"shan-shi",{"name":26,"slug":68},"he-liu",{"name":27,"slug":70},"yun-wu",{"name":28,"slug":72},"yuan-shan",1777535400430]