[{"data":1,"prerenderedAt":66},["ShallowReactive",2],{"artwork-qi-feng-gao-yin-tu-zhou-tang-yin-222337":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":33,"manualWeight":33,"mainColor":34,"tagLinks":35},222337,"qi-feng-gao-yin-tu-zhou-tang-yin-222337","奇峰高隐图轴","明","唐寅","印第安纳波利斯艺术博物馆","唐寅（1470年－1524年）明代著名画家、文学家。字伯虎，又字子畏，以字行，号六如居士、桃花庵主、逃禅仙吏等，南直隶苏州吴县人。吴中四才子之一。在画史上又与沈周、文征明、仇英合称“明四家”或“吴门四家”。\n据称唐寅作画时间甚早，而且无师自通。吴一鹏在《贞寿图卷》上提款：“岁丙午，子畏年止十七，而山石树枝如篆籀，人物衣褶如铁丝。少诣如是，岂非天授！”早年唐寅可能也跟文征明一样，向沈周学画。如王稚登在《吴郡丹青志》中的《沈周先生传》里写：“一时名士，如唐寅文壁（征明）之流，咸出龙门，往往致于风云之表。”但如今所看到唐寅的 中，有沈周影响的风格很少，可能早年作品亦多不存，所以难以知道。\n唐寅较为人所理解的，是拜画家周臣为师。研究认为他也许是在泄题案之后，才开始向周臣请益。由于周臣的画风远摹南宋画家李唐、刘松年，所以唐寅的作品也多被人认为有李刘风格。美术史对唐寅山水画的讨论中有周臣代笔的问题，目前仍没有比较清晰的理解。唐寅的作品以山水画、人物画出名，亦有花鸟竹石的作品存世。一般而言，都将唐寅的绘画风格分做三期，但由于许多有纪年的作品多集中在唐寅的晚年，早年的风格分期便有许多争议。唐寅 亦好，早年的书风比较靠近颜真卿，后来比较接近李邕、赵孟睢\n自明末以来，在讨论唐寅作品，均把他分到吴派，并与沈周、文征明、仇英等画家并称“吴门四家”，或称“明四大家”。但唐寅的画风与沈周、文征明并不相同，而严格来说，也不能将唐寅的风格迳归为吴派。因为相较于一般吴派多追随元四大家的画风，唐寅作品里元四家的影响相当的少，反而有比较多南宋院画家的影子。但多数的人，都称唐寅是揉合“南”、“北”的重要画家。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26],"高清","国画","书画","立轴","设色","皴法","山水","奇峰","瀑布","小桥","流水","树木","山石","楼阁","云雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83dc2042fc9030013065e4ae628ede20.jpg","纸本","75x56","",[],33,0,"795548",[36,38,40,42,44,46,48,50,52,54,56,58,60,62,64],{"name":12,"slug":37},"gao-qing",{"name":13,"slug":39},"guo-hua",{"name":14,"slug":41},"shu-hua",{"name":15,"slug":43},"li-zhou",{"name":16,"slug":45},"she-se",{"name":17,"slug":47},"cun-fa",{"name":18,"slug":49},"shan-shui",{"name":19,"slug":51},"qi-feng",{"name":20,"slug":53},"pu-bu",{"name":21,"slug":55},"xiao-qiao",{"name":22,"slug":57},"liu-shui",{"name":23,"slug":59},"shu-mu",{"name":24,"slug":61},"shan-shi",{"name":25,"slug":63},"lou-ge",{"name":26,"slug":65},"yun-wu",1777535410175]