[{"data":1,"prerenderedAt":38},["ShallowReactive",2],{"artwork-qi-lv-zhou-xu-wei-239871":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":17,"material":18,"size":19,"collection":20,"collections":21,"showCount":22,"zanCount":23,"manualWeight":23,"mainColor":24,"tagLinks":25},239871,"qi-lv-zhou-xu-wei-239871","七律轴","明","徐渭","藏地不详","徐渭（1521年3月12日－1593年），汉族，绍兴府山阴（今浙江绍兴）人。初字文清，后改字文长，号青藤老人、青藤道士、天池生、天池山人、天池渔隐、金垒、 金回山人、山阴布衣、白鹇山人、鹅鼻山侬、田丹水、田水月（一作水田月 ）。明代中期文学家、书画家、戏曲家、军事家。\n徐渭曾担任胡宗宪幕僚，助其擒徐海、诱汪直。胡宗宪被下狱后，徐渭在忧惧发狂之下自杀九次却不死。后因杀继妻被下狱论死，被囚七年后，得张元忭等好友救免。此后南游金陵，北走上谷，纵观边塞阨塞，常慷慨悲歌。晚年贫病交加，藏书数千卷也被变卖殆尽，他自称“南腔北调人”，于万历二十一年（1593年）去世，年七十三\n徐渭多才多艺，在诗文、戏剧、书画等各方面都独树一帜，与解缙、杨慎并称“明代三才子”。他是中国“泼墨大写意画派”创始人、“青藤画派”之鼻祖，其画能吸取前人精华而脱胎换骨，不求形似求神似，山水、人物、花鸟、竹石无所不工，以花卉最为出色，开创了一代画风，对后世画坛（如八大山人、石涛、扬州八怪等）影响极大；书善行草，写过大量诗文，被誉为“有明一代才人”；能操琴，谙音律；爱戏曲，所著《南词叙录》为中国第一部关于南戏的理论专著。另有杂剧《四声猿》《歌代啸》及文集传世。",[7,12,13,14,15,16],"书法","立轴","行书","草书","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc005f883ee27f9e4510a7c83aa66459a.jpg","未知","Xcm*Xcm","",[],32,0,"BDBDBD",[26,28,30,32,34,36],{"name":7,"slug":27},"ming",{"name":12,"slug":29},"shu-fa",{"name":13,"slug":31},"li-zhou",{"name":14,"slug":33},"xing-shu",{"name":15,"slug":35},"cao-shu",{"name":16,"slug":37},"yin-zhang",1777535410385]