[{"data":1,"prerenderedAt":63},["ShallowReactive",2],{"artwork-qi-xia-shan-quan-tu-juan-qian-wei-cheng-238935":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":27,"collection":28,"collections":29,"showCount":31,"zanCount":32,"manualWeight":32,"mainColor":33,"tagLinks":34},238935,"qi-xia-shan-quan-tu-juan-qian-wei-cheng-238935","棲霞山全图卷","清","钱维城","藏地不详","钱维城（1720—1772）清朝官吏、画家。初名辛来，字宗磐，一字幼安，号纫庵、茶山，晚号稼轩，江苏武进人。乾隆十年状元，官至刑部侍郎，谥文敏。书法苏轼，初从陈书学画写意折枝花果，后学山水，经董邦达指导，遂成名手，供奉内廷，为画苑领袖。曾随乾隆帝在木兰围场狩猎，帝以神枪殪虎，命维城绘图刻石纪事。著有《茶山集》。\n钱维城自幼甚喜绘画，开始从族祖母陈书学习画写意折枝花果，勾描渲染，随类赋形，气联意合，整体协调。后来得到了画家董邦达指导，学画山水。所画山水，山势逶迤，流泉飞泻，烟霭飘浮，水光荡漾。构图井然，意境清幽。山石多用皴笔。他的绘画远学元代四家即黄公望、倪瓒、吴镇、王蒙，近学清初四王即王时敏、王鉴、王徽、王原祁。。《桐阴论画》说他的山水画“笔意亦临摹仿麓台，邱壑幽深，树石灵秀，颇臻妙境。”钱维城投身科举时，很少有人知道他擅长书画，直到状元及第后，在随乾隆的一次狩猎中，乾隆射中一只老虎，于是钱维城受命创作“射虎图”，作品完成后乾隆连连称赞，并下令将此画刻在木兰围场的石头上，从此钱维城在画坛上名声大振。在钱维城的绘画中，带棱角的石形、双勾少皴的树干，以及中锋含蓄的细笔、淡墨勾皴的线条，都存有董邦达的笔意，但他更擅长缜密的用笔和青绿、赭石相间的设色，其中也显示出清初“四王”的流派风格，他的作品经常呈现出来的是一派宫廷富贵的气息。在乾隆的收藏目录《石渠宝芨》中，收录的钱维城作品有160多幅，由此可见乾隆皇帝对钱维城作品的赏识程度。著名的有《九秋图卷》。\n钱维城擅长书法，工整精细，“宗磐工书，书法东坡。”他师法宋朝书法四大家之一的苏东坡。落笔苍润，秀骨天成。也能吟诗，以杜少陵为宗。人称“钱文敏尚书，诗宗少陵，书规苏文忠。”可谓诗、书、画一体。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"国画","长卷","水墨","山水","皴法","孤舟","印章","树木","山石","云雾","河流","楼阁","村庄","松树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e39f32ceb97c4b748313f235bf3e3ee.jpg","","山水画精选",[28,30],"水墨画精选",27,0,"F48FB1",[35,37,39,41,43,45,47,49,51,53,55,57,59,61],{"name":12,"slug":36},"guo-hua",{"name":13,"slug":38},"chang-juan",{"name":14,"slug":40},"shui-mo",{"name":15,"slug":42},"shan-shui",{"name":16,"slug":44},"cun-fa",{"name":17,"slug":46},"gu-zhou",{"name":18,"slug":48},"yin-zhang",{"name":19,"slug":50},"shu-mu",{"name":20,"slug":52},"shan-shi",{"name":21,"slug":54},"yun-wu",{"name":22,"slug":56},"he-liu",{"name":23,"slug":58},"lou-ge",{"name":24,"slug":60},"cun-zhuang",{"name":25,"slug":62},"song-shu",1777535412764]