[{"data":1,"prerenderedAt":42},["ShallowReactive",2],{"artwork-qian-long-kuan-hua-fa-lang-shi-nv-ying-xi-tu-bi-yan-hu-yi-ming-249182":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":25,"mainColor":26,"tagLinks":27},249182,"qian-long-kuan-hua-fa-lang-shi-nv-ying-xi-tu-bi-yan-hu-yi-ming-249182","乾隆款画珐琅仕女婴戏图鼻烟壶","清","佚名","藏地不详","鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。\n人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。\n中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。\n在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种烟草制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。",[12,13,14,15,16,17,18],"清代","画珐琅","设色","人物","仕女","婴孩","珐琅器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e3a686cdfbaf80cb10b66ed46aa1ef1.jpg","未知","Xcm*Xcm","",[],13,0,"F48FB1",[28,30,32,34,36,38,40],{"name":12,"slug":29},"qing-dai",{"name":13,"slug":31},"hua-fa-lang",{"name":14,"slug":33},"she-se",{"name":15,"slug":35},"ren-wu",{"name":16,"slug":37},"shi-nv",{"name":17,"slug":39},"ying-hai",{"name":18,"slug":41},"fa-lang-qi",1777535425329]