[{"data":1,"prerenderedAt":50},["ShallowReactive",2],{"artwork-qian-long-kuan-jin-you-wu-cai-ci-fa-lun-yi-ming-275126":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},275126,"qian-long-kuan-jin-you-wu-cai-ci-fa-lun-yi-ming-275126","乾隆款金釉五彩瓷法轮","清","佚名","藏地不详","由于金釉特殊的颜色和地位，金釉器物的数量很少，雍正时期有杯、盘。乾隆朝的金釉器物以金釉法轮、金釉加彩佛像宗教用具为多。此杯精巧玲珑，胎薄质细，蓝釉深沉素雅，金彩雍容华贵，给人以富丽堂皇之感。器历经数百年，金彩鲜艳如初，十分难得。\n金彩装饰瓷器始于唐代，元代景德镇窑瓷器上运用描金手法，而通体施金釉的瓷器，直至清代康熙晚期出现。金釉制作工艺从严格意义上讲应为“彩”，是在金块研磨、过筛后，加蒜汁搅拌后涂抹在瓷器上（慈禧以后，西洋料进来的更加频繁，用乳胶取代了蒜汁），低温烧烤后，再用玛瑙研磨，使金釉表面光亮。由于烧成温度低，金釉的色彩极易脱落，保存颇为不易。金釉是唯有皇帝才能享用的帝王之色。釉彩成色十足，釉色如黄金般耀眼夺目，原件为大清康熙年制。",[12,13,14,15,16,17,18,19,20,21],"陶瓷","宗教","佛教","法轮","金釉","五彩","镶嵌","礼器","瓷器","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e107e9945a7d2416fe074c2eec6b304.jpg","未知","Xcm*Xcm","",[],0,"795548",[30,32,34,36,38,40,42,44,46,48],{"name":12,"slug":31},"tao-ci",{"name":13,"slug":33},"zong-jiao",{"name":14,"slug":35},"fo-jiao",{"name":15,"slug":37},"fa-lun",{"name":16,"slug":39},"jin-you",{"name":17,"slug":41},"wu-cai",{"name":18,"slug":43},"xiang-qian",{"name":19,"slug":45},"li-qi",{"name":20,"slug":47},"ci-qi",{"name":21,"slug":49},"qi-wu",1777535525081]