[{"data":1,"prerenderedAt":36},["ShallowReactive",2],{"artwork-qian-long-kuan-yao-bian-you-hai-tang-shi-hua-gu-yi-ming-258614":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":17,"material":18,"size":19,"collection":20,"collections":21,"showCount":22,"zanCount":23,"manualWeight":23,"mainColor":24,"tagLinks":25},258614,"qian-long-kuan-yao-bian-you-hai-tang-shi-hua-gu-yi-ming-258614","乾隆款窑变釉海棠式花觚","清","佚名","藏地不详","烧造瓷器，凡在开窑后发现不是预期的形状或釉色，以至于传世瓷器有时发生特异的情况者，都可说是“窑变”。《稗史汇编》说：“瓷有同是一质，遂成异质，同是一色，遂成异色者，水土所合，非人力之巧所能加，是之谓窑变。”总而言之，窑变大致可分为变形、变色、变质等数种。\n窑变釉，顾名思义，是器物在烧成过程中出现了意想不到的釉色效果。由于窑中含有多种呈色元素，经氧化或还原作用，瓷器在出窑后可能呈现出意外的釉色效果。因由窑变釉出现出于偶然，形态特别，人们又不知其原理，只知于窑内焙烧过程变化而得，故称之为“窑变釉”，俗语有“窑变无双”，就是指窑变釉的变化莫测，独一无二。",[12,13,14,15,16],"陶瓷","窑变釉","海棠式","清代","花觚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc1b432548da92c63dd2baba49658fa5.jpg","未知","Xcm*Xcm","瓷器精选",[20],5,0,"795548",[26,28,30,32,34],{"name":12,"slug":27},"tao-ci",{"name":13,"slug":29},"yao-bian-you",{"name":14,"slug":31},"hai-tang-shi",{"name":15,"slug":33},"qing-dai",{"name":16,"slug":35},"hua-gu",1777535442696]