[{"data":1,"prerenderedAt":39},["ShallowReactive",2],{"artwork-qian-zi-wen-zhao-ji-221346":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":15,"size":19,"collection":20,"collections":21,"showCount":22,"zanCount":23,"manualWeight":24,"mainColor":25,"tagLinks":26},221346,"qian-zi-wen-zhao-ji-221346","千字文","宋","赵佶","上海博物馆","宋徽宗是一位极不称职的皇帝，然而却是一位风流的才子。他才世杰出，于琴棋书画皆精，尤其在书法与绘画方面，颇有成就。他自创的[瘦金书]与兼工带写的画作至今为人所推崇。他的书法早年学习唐初四家之一的薛稷，明《书史会要》说徽宗[行昔日、正书笔势劲逸，初学薛稷，变其法度，自号瘦金书。要是意度天成，非可以陈迹求也]。薛稷书法，用笔纤细，结体疏瘦。虽[瘦金书]生发于唐人薛稷已成为共识，但徽宗在此基础上，聪　慧创意成为定型的瘦金体。此书体被后世誉为第一奇书，长横例作鱼头状，中截细若游丝，收笔重顿，竖笔很少作悬针，大多呈一右向倒钩，横与竖过渡折笔侧锋明显，运笔步骤展露无遗，的确不同于任何书体。徽宗还能狂草，笔意纯学怀素，并临怀素《千字文》洋洋洒洒。本法书长达十一米，用的是珍贵的描金云龙签，平添了富丽堂皇的皇家气象。他随意书写的[掠水燕翎寒自转，随泥花片湿相重]团扇，令后世书家赞叹不已。",[12,13,14,15,16,17],"书法","草书","长卷","纸本","印章","瘦金体风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e764baf1059bcff75f3e36431346a8d.jpg","纵31.2cm，横323.2cm","书法精选",[20],102,2,0,"BDBDBD",[27,29,31,33,35,37],{"name":12,"slug":28},"shu-fa",{"name":13,"slug":30},"cao-shu",{"name":14,"slug":32},"chang-juan",{"name":15,"slug":34},"zhi-ben",{"name":16,"slug":36},"yin-zhang",{"name":17,"slug":38},"shou-jin-ti-feng-ge",1777535397898]