[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"artwork-qie-zi-tu-juan-chen-ju-zhong-221456":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":18,"size":25,"collection":26,"collections":27,"showCount":30,"zanCount":31,"manualWeight":32,"mainColor":33,"tagLinks":34},221456,"qie-zi-tu-juan-chen-ju-zhong-221456","茄子图卷","宋","陈居中","台北故宫博物院","陈居中（生卒年不详），南宋时期宫廷画家。在画史有关他的记载十分简略，元代夏文彦《图绘宝鉴》卷四中记有：“陈居中，嘉泰间画院待诏，专工人物、蕃马，布景著色，可亚黄宗道。”另据《画史会要》记载，陈居中曾在开禧三年（1207年）为崔丽人画像，悉知他在1207年尚任职于画院，并擅长画肖像。 虽然有关陈居中的记载十分简单，但他留下的作品却比较多且十分精彩，这在南宋宫廷画家中是十分难得的。就目前所知确为其真迹的作品有《文姬归汉图》、《胡茄十八拍图》、《绝塞逢春图》、《进马图》、《四羊图》等。这些作品所表现的多为历史故事或少数民族风情题材，这与“专工人物、蕃马”的记载是相吻合的。这些作品的画法多样，技艺高超，笔法精细，形象传神，正如明人吴其贞在题陈居中《八骏图》时所评：“精彩逼真似唐画，系临史道硕、韩干之辈，为两宋人物第一神品也。”",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","名画","国画","书画","长卷","工笔","设色","茄子","枝叶","花朵","昆虫","杂草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41a2515db414029768f29a0bf0dd13bc.jpg","35.8x 191.2","宋画精选",[26,28,29],"花鸟画精选","设色画精选",118,1,0,"795548",[35,37,39,41,43,45,47,49,51,53,55,57],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"ming-hua",{"name":14,"slug":40},"guo-hua",{"name":15,"slug":42},"shu-hua",{"name":16,"slug":44},"chang-juan",{"name":17,"slug":46},"gong-bi",{"name":18,"slug":48},"she-se",{"name":19,"slug":50},"qie-zi",{"name":20,"slug":52},"zhi-ye",{"name":21,"slug":54},"hua-duo",{"name":22,"slug":56},"kun-chong",{"name":23,"slug":58},"za-cao",1777535397075]