[{"data":1,"prerenderedAt":58},["ShallowReactive",2],{"artwork-qing-xue-zhang-song-tu-zhou-zhang-rui-tu-237452":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":30,"zanCount":31,"manualWeight":31,"mainColor":32,"tagLinks":33},237452,"qing-xue-zhang-song-tu-zhou-zhang-rui-tu-237452","晴雪长松图轴","明","张瑞图","北京故宫博物院","张瑞图书法、绘画兼精。书法得张旭、怀素神韵，与董其昌等并称“明末四大书家”，但其书法风格则迥异他人，风貌奇倔狂逸，后世称“瑞图书法奇逸，钟、王之外，另辟蹊径。”绘画则学黄公望，风格苍劲，点染清逸。他的画作大多是偶然兴至所作，故而传世作品甚少，其大幅画作特点是笔墨粗放，构景空疏。此图墨笔绘清泉细石，苍松之上落满积雪，全图面貌苍润，用笔皴染结合、勾点交错，笔力浑厚，足见张氏笔墨功力精到。\n本幅自题：“冻泉依细石，晴雪落长松。庚午春仲果亭图写”，钤“瑞图”朱文方印，“张长公”朱文方印。题字结体狂怪，笔画劲健纵逸，气韵外露，颇富“奇异”之态。据此，可知此图作于崇祯三年（1630），张瑞图时年60岁，正是他罢官遣归之年。图中题句出自杜甫诗《谒真谛寺禅师》。",[12,13,14,15,16,17,18,19,20,21,22,23],"国画","书画","立轴","水墨","山水","松树","山石","雪景","皴法","树木","枝干","墨笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0c986419dee5327b255f01afe2fab23.jpg","纸本","","山水画精选",[27,29],"水墨画精选",21,0,"BDBDBD",[34,36,38,40,42,44,46,48,50,52,54,56],{"name":12,"slug":35},"guo-hua",{"name":13,"slug":37},"shu-hua",{"name":14,"slug":39},"li-zhou",{"name":15,"slug":41},"shui-mo",{"name":16,"slug":43},"shan-shui",{"name":17,"slug":45},"song-shu",{"name":18,"slug":47},"shan-shi",{"name":19,"slug":49},"xue-jing",{"name":20,"slug":51},"cun-fa",{"name":21,"slug":53},"shu-mu",{"name":22,"slug":55},"zhi-gan",{"name":23,"slug":57},"mo-bi",1777535416978]