[{"data":1,"prerenderedAt":50},["ShallowReactive",2],{"artwork-qing-you-lou-kong-fen-cai-miao-jin-kui-feng-wen-tao-ping-yi-ming-256657":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},256657,"qing-you-lou-kong-fen-cai-miao-jin-kui-feng-wen-tao-ping-yi-ming-256657","青釉镂空粉彩描金夔凤纹套瓶","清","佚名","藏地不详","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[12,13,14,15,16,17,18,19,20,21],"陶瓷","器","青釉","镂空","粉彩","描金","雕刻","设色","夔凤纹","神兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5c549eaaad97271150da70d7b2d8af6.jpg","未知","Xcm*Xcm","",[],0,"BDBDBD",[30,32,34,36,38,40,42,44,46,48],{"name":12,"slug":31},"tao-ci",{"name":13,"slug":33},"qi",{"name":14,"slug":35},"qing-you",{"name":15,"slug":37},"lou-kong",{"name":16,"slug":39},"fen-cai",{"name":17,"slug":41},"miao-jin",{"name":18,"slug":43},"diao-ke",{"name":19,"slug":45},"she-se",{"name":20,"slug":47},"kui-feng-wen",{"name":21,"slug":49},"shen-shou",1777535568965]