[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"artwork-qiu-jiang-lun-dao-tu-ding-yun-peng-287442":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":29,"zanCount":30,"manualWeight":30,"mainColor":31,"tagLinks":32},287442,"qiu-jiang-lun-dao-tu-ding-yun-peng-287442","秋江论道图","明","丁云鹏","藏地不详","天启五年（1625）尚在作《白马驭经图》，瓒子，詹景凤门人。工书法，学钟繇、王羲之。画善白描人物、山水、佛像，无不精妙。白描酷似李公麟，设色学钱选。丝发之间而眉睫意态毕具，非笔端有神通者不能也。兼工山水、花卉。中年用笔细秀，略近文征明、仇英画法，晚年风格朴厚苍劲，自成一家。 [1] 供奉内廷十余年。与董其昌、詹景凤诸人交游，故流传作品多有董其昌、陈继儒等人的题赞。董其昌赠以印章，曰毫生馆。其得意之作，尝一用之。万历八年（1580）作江南春扇，天启元年（1621）作伙溪渔隐图。\n其画以人物、佛道最负盛名,论者谓,在明末人物画家中，丁云鹏与陈洪绶、崔子忠成鼎足之势。早年人物画工整秀雅，晚期趋于沉着古朴，前后变化可从存世的《媛挡熊图》及《三教图》（均藏故宫博物院）中窥知一斑。山水画也有一定造诣，在师法宋元基础上,自具风格。早期隽秀,晚期古拙，以平整为法。亦能作兰草，有《楚泽流芳图》（故宫博物院）存世。后世流传他的作品，有不少是伪作。而台北故宫博物院所藏钱选《卢同烹茶图》实为丁云鹏手笔。丁云鹏生活于雕板、制墨业发达的徽州，还为书刊画了不少插画，对于新安木刻画的发展起到了一定作用。",[12,13,14,15,16,17,18,19,20,21,22,23],"扇面","国画","书画","设色","山水","人物","树木","流水","房屋","印章","皴法","论道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fa9414f96ce5c74dd7c82367b21521f.jpg","未知","Xcm*Xcm","",[],6,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51,53,55],{"name":12,"slug":34},"shan-mian",{"name":13,"slug":36},"guo-hua",{"name":14,"slug":38},"shu-hua",{"name":15,"slug":40},"she-se",{"name":16,"slug":42},"shan-shui",{"name":17,"slug":44},"ren-wu",{"name":18,"slug":46},"shu-mu",{"name":19,"slug":48},"liu-shui",{"name":20,"slug":50},"fang-wu",{"name":21,"slug":52},"yin-zhang",{"name":22,"slug":54},"cun-fa",{"name":23,"slug":56},"lun-dao",1777535439066]