[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"artwork-qiu-lin-tu-ye-xu-dao-ning-221417":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":30,"zanCount":31,"manualWeight":32,"mainColor":33,"tagLinks":34},221417,"qiu-lin-tu-ye-xu-dao-ning-221417","秋林图页","宋","许道宁","藏地不详","此卷作平遠的構圖，山巒重疊向兩面展開，叢林間隱藏寺院和佛塔。近景作河流、坡岸，幾棵大樹，挺拔疏朗，有小道、橋樑通往遠處；二局士遠眺，有騎士與隨從似正遊覽歸來。表現了華北黃土地清曠的晚秋景色。其構圖與美圍納爾遜·艾京斯美術館藏《秋江漁艇圖》屬同一類型。樹法作“蟹爪法”，鹿角、坡石皴法亦屬李成一派。本圖無款，傳為許道寧作。\n圖中描寫的是華北平原秋天時的蕭寒荒涼景色，與平原中活動的人物。最令人深感趣味的是從圖卷末開始，山坡上植滿大片樹叢，樹葉開始凋零，景色由此向右上方延伸，到中景則出現小片樹叢，並隱約可見在林間的寺院和閣樓。這就點出了此畫的主題，在樹叢下有幾名清雅高士正朝着丘陵的方向欣賞大自然美景。秋高氣爽，一陣陣秋風從秋林中沙沙吹響，好一個平原秋色的蕭寒荒涼，這使高士們如此喜悦，領略大自然恩賜的詩一般的愜意。\n此畫構圖的軸線是順着道路漫延到卷末。作者重點佈置秋色的蕭條，四周同將枯竭的泉水，及背後莊嚴的山脈，使人感受到強烈的蕭條之氣。可是在樹叢下有幾名清雅高士採風賞景、談笑風生，頓使畫面意趣盎然、生氣充盈。圖中人物雖小，但能神形逼肖。此圖乍看似乎是李成寒林平原山水的模式。從此圖中不僅能看到許道寧擅長的林木，平野山水，及斜面構圖模仿寒林龍形山脈等，更可以看出白唐、五代以來長安繪畫保守的傳統風格",[12,13,14,15,16,17,18,19,20,21,22],"高清","国画","名画","书画","册","水墨","皴法","山水","老树","枯藤","秋林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F265c7ee4e15765a1f3229516a46ee0b3.jpg","绢本","36× 30","宋画精选",[26,28,29],"山水画精选","水墨画精选",49,1,0,"795548",[35,37,39,41,43,45,47,49,51,53,55],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"ming-hua",{"name":15,"slug":42},"shu-hua",{"name":16,"slug":44},"ce",{"name":17,"slug":46},"shui-mo",{"name":18,"slug":48},"cun-fa",{"name":19,"slug":50},"shan-shui",{"name":20,"slug":52},"lao-shu",{"name":21,"slug":54},"ku-teng",{"name":22,"slug":56},"qiu-lin",1777535405167]