[{"data":1,"prerenderedAt":56},["ShallowReactive",2],{"artwork-qiu-se-zhou-wu-chang-shuo-236981":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":29,"zanCount":30,"manualWeight":31,"mainColor":32,"tagLinks":33},236981,"qiu-se-zhou-wu-chang-shuo-236981","秋色轴","清","吴昌硕","北京故宫博物院","吴昌硕（1844年8月1日—1927年11月29日），初名俊，又名俊卿，字昌硕，又署仓石、苍石，多别号，常见者有仓硕、老苍、老缶、苦铁、大聋、缶道人、石尊者等。浙江省孝丰县鄣吴村（今湖州市安吉县）人。晚清民国时期著名国画家、书法家、篆刻家，“后海派”代表，杭州西泠印社首任社长，与厉良玉、赵之谦并称“新浙派”的三位代表人物，与任伯年、蒲华、虚谷合称为“清末海派四大家”。\n他集“诗、书、画、印”为一身，融金石书画为一炉，被誉为“石鼓篆书第一人”、“文人画最后的高峰”。在绘画、书法、篆刻上都是旗帜性人物，在诗文、金石等方面均有很高的造诣。正如北京大学教授、引碑入草开创者李志敏所说：“与同时代艺术大家比，吴昌硕是承前启后、比较全面的一位巨匠。” 吴昌硕热心提携后进，齐白石、王一亭、潘天寿、陈半丁、赵云壑、王个簃、沙孟海等均得其指授。1927年11月29日，吴昌硕逝于上海寓所。\n吴昌硕作品集有《吴昌硕画集》《吴昌硕作品集》《苦铁碎金》《缶庐近墨》《吴苍石印谱》《缶庐印存》等，诗作集有《缶庐集》。",[12,13,14,15,16,17,18,19,20,21,22],"国画","书画","立轴","设色","水墨","行书","印章","孤石","枯枝","植物","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dc0e8896205933dd0727840cc37da2b.jpg","纸本","","花鸟画精选",[26,28],"水墨画精选",85,1,0,"BDBDBD",[34,36,38,40,42,44,46,48,50,52,54],{"name":12,"slug":35},"guo-hua",{"name":13,"slug":37},"shu-hua",{"name":14,"slug":39},"li-zhou",{"name":15,"slug":41},"she-se",{"name":16,"slug":43},"shui-mo",{"name":17,"slug":45},"xing-shu",{"name":18,"slug":47},"yin-zhang",{"name":19,"slug":49},"gu-shi",{"name":20,"slug":51},"ku-zhi",{"name":21,"slug":53},"zhi-wu",{"name":22,"slug":55},"cun-fa",1777535399055]