[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"artwork-qiu-zhu-shui-qin-tu-lv-ji-216845":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":29,"zanCount":30,"manualWeight":30,"mainColor":31,"tagLinks":32},216845,"qiu-zhu-shui-qin-tu-lv-ji-216845","秋渚水禽图","明","吕纪","台北故宫博物院","这幅画的布局集中在右下角，占据了图片的绝大部分。从画的右侧中间伸展出几根稀疏的芦苇，有的直上，有的向左，芦苇叶大多下垂;在图片下方，有几根芦苇栖息在堤岸上，其中一根在月亮的脖子上叽叽喳喳，另外两根芦苇回头看。屏幕左侧是平静清澈的海水，是芦苇漂浮的天堂。在图片上方是满月，空旷时，明亮的月光投射在地球上。\n画中的芦苇写得很好，外表生动。芦苇是用厚厚的光和光不同颜色的层叠叠而成的，非常细腻，不仅形状像神萧，而且羽毛的光泽也显现出来。芦苇和木槿的叶茎，淡墨，刷掉。视觉要以浅色演色性，看不到笔痕，使领域广阔而深远;用马原画湖石，夏贵墨钩法，加换，坚固简单;这幅画异常真实，自然而壮观。这幅画，和路易姬的其他花鸟画一样，极大地丰富了花鸟画和笔墨的表达。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","名画","国画","工笔","设色","花鸟","水禽","芦苇","花卉","明月","水域","岸石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa017ac0164b088a5d177f88bd5bd52d1.jpg","绢本,设色","纵177.2厘米，横107.3厘米","花鸟画精选",[27],64,0,"795548",[33,35,37,39,41,43,45,47,49,51,53,55],{"name":12,"slug":34},"gao-qing",{"name":13,"slug":36},"ming-hua",{"name":14,"slug":38},"guo-hua",{"name":15,"slug":40},"gong-bi",{"name":16,"slug":42},"she-se",{"name":17,"slug":44},"hua-niao",{"name":18,"slug":46},"shui-qin",{"name":19,"slug":48},"lu-wei",{"name":20,"slug":50},"hua-hui",{"name":21,"slug":52},"ming-yue",{"name":22,"slug":54},"shui-yu",{"name":23,"slug":56},"an-shi",1777535401918]