[{"data":1,"prerenderedAt":45},["ShallowReactive",2],{"artwork-quan-shi-xin-huang-tu-gu-an-233784":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":20,"material":21,"size":22,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":26,"mainColor":27,"tagLinks":28},233784,"quan-shi-xin-huang-tu-gu-an-233784","拳石新篁图","元","顾安","台北故宫博物院","《拳石新篁图》画新竹几枝和荆棘一丛，新篁数竿，瘦削挺拔，立于石旁，竹叶参差错落，以浓淡显出不同层次，线条锋锐有力，笔墨细腻，生意盎然。笔法劲利，墨气浓润，表现出新竹破土而出的欣欣向荣之势，是顾安墨竹精品。\n在中国传统绘画中，四季长青的竹历来都是画家所钟爱的传统题材。这件作品主要描绘的是几株新篁，枝干瘦削挺拔，立于石旁，竹叶参差错落，以浓淡显出不同层次，线条锋锐有力，笔墨细腻，生意盎然。作者用笔劲健沉静，兼工带写，以中锋行笔，兼容侧锋，几乎不见复笔。\n《拳石新篁图》此图构图简洁，只有一块小石和数竿新竹。小石如拳，静静地占据了画幅左下角位置，一丛荆棘蔓生于石上。石旁，几竿新竹依石而立，枝节横生，劲节毕显。与竹竿的瘦削细长不同的是：竹叶的描绘极其夸张，硕大如挥舞的剑戟，与竹竿的纤细形成视觉上的强烈反差。\n作者笔法老到，劲健有力。墨色的运用，浓淡、明暗拿捏有度，使画面墨色清润浓厚，各得其宜，颇具神韵。画面上方，自右至左有百不居士题诗和清乾隆皇帝御题诗各一首，百不居士题诗云：“节君自是非今尔，石丈谁能拜下风。惟有王猷并米芾，高情千古远相同。”字里行间给予顾安作品极高的评价。乾隆诗云：“一拳之石几叶竹，空谷无人结契幽。淡霭轻烟风入际，声相应复气相求。”观画上作者款识“至正乙巳闰月写于岁寒楼定之”，可知这幅画创作于元至正乙巳年(1365年)，正是顾安去世之年，其生命不息、艺术不辍的精神写照真是令人肃然起敬。",[12,13,14,15,16,17,18,19],"国画","水墨","立轴","竹","石","墨竹","写意","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4283db10a92caf3791c278faf89e9e43.jpg","纸本","76cm x 40cm","",[],27,0,"BDBDBD",[29,31,33,35,37,39,41,43],{"name":12,"slug":30},"guo-hua",{"name":13,"slug":32},"shui-mo",{"name":14,"slug":34},"li-zhou",{"name":15,"slug":36},"zhu",{"name":16,"slug":38},"shi",{"name":17,"slug":40},"mo-zhu",{"name":18,"slug":42},"xie-yi",{"name":19,"slug":44},"yin-zhang",1777535412838]