[{"data":1,"prerenderedAt":67},["ShallowReactive",2],{"artwork-qun-feng-xue-ji-tu-cao-zhi-bai-231413":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":33,"manualWeight":34,"mainColor":35,"tagLinks":36},231413,"qun-feng-xue-ji-tu-cao-zhi-bai-231413","群峰雪霁图","元","曹知白","台北故宫博物院","《元曹知白群峰雪霁图》是元代大画家曹知白晚年创作的一幅纸本水墨中国画作品，该作尺寸纵129.7公分，横56.4公分，现藏 。\n在技法上已经达到了融会贯通的境界。\n画面的左下方，几株松树巍然矗立，在这银装素裹的冰雪世界里更显现出一派凛然不屈的丈夫气概；从构图上看，又与右侧庭榭周围的另外几株树遥相呼应。\n在这幅作品中，画家通过对树木长短远近、虚实疏密的变化处理，使画面产生出强烈的纵深效果，进而使景象开阔，意境深幽。\n此作虽然是描绘雪景，却没有给人萧瑟荒凉的感受，相反，在这冰天雪地的景色之中，似乎还隐约能够感受到一丝融融的春意。\n一道在山崖间飞泻直下的流泉，虽然只是一处看似寻常的点缀之笔，却为画面增添了动感，使作品有声有色，更富有观赏情趣。\n此作的构图布局采用的是“高远法”，整体山势不以险峻取胜。\n平稳和缓的峰峦，带有明显的江南景象的特征，重重叠叠，层层递进，大有江山无尽之感。\n【名称】元曹知白群峰雪霁图 【类别】中国 【 【 【 【简介】 图轴，纸本，水墨画，纵：129.7公分，横：56.4公分。\n该画以白颜色为主要色调，技法表现看似简单，实则匠心独运，法度森严，虚实得当，计白当黑，尤其是在水榭、树木这些细微之处更见功夫。\n用笔简约疏朗，刚柔相济；用墨润燥相间，清淡温和；巧妙地把北方山水所特有的苍浑巍峨的“河朔气象”融入恬淡雅逸的江南景色的韵味，形成了柔美、宁静、凝重的风格。\n观者在一望之间，即能体会到北方山川的厚重沉稳，也能品味出南方山水的内在之美。\n另外，有学者认为「雪图」，可能是 早年精仿宋人之作。\n曹知白（1272-155年），字又玄，一字贞素，号云西，华亭（今属上海松江）人。\n工诗文，善画山水，画法师李成、郭熙，笔墨清润，全无俗气。\n晚年笔法苍简，自成一格。\n对后世绘画有一定的影响。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26],"国画","水墨画","山水画","立轴","皴法","印章","群峰","雪景","瀑布","树木","房屋","山峦","水面","枯树","松树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a999b20c2e336d2ab5e434cb134b279.jpg","纸本,水墨","纵129.7厘米，横56.4厘米","",[],31,1,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65],{"name":12,"slug":38},"guo-hua",{"name":13,"slug":40},"shui-mo-hua",{"name":14,"slug":42},"shan-shui-hua",{"name":15,"slug":44},"li-zhou",{"name":16,"slug":46},"cun-fa",{"name":17,"slug":48},"yin-zhang",{"name":18,"slug":50},"qun-feng",{"name":19,"slug":52},"xue-jing",{"name":20,"slug":54},"pu-bu",{"name":21,"slug":56},"shu-mu",{"name":22,"slug":58},"fang-wu",{"name":23,"slug":60},"shan-luan",{"name":24,"slug":62},"shui-mian",{"name":25,"slug":64},"ku-shu",{"name":26,"slug":66},"song-shu",1777535410954]