[{"data":1,"prerenderedAt":69},["ShallowReactive",2],{"artwork-qun-xian-du-hai-tu-ye-ding-yun-peng-288042":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":34,"mainColor":35,"tagLinks":36},288042,"qun-xian-du-hai-tu-ye-ding-yun-peng-288042","群仙渡海图页","明","丁云鹏","藏地不详","天启五年（1625）尚在作《白马驭经图》，瓒子，詹景凤门人。工书法，学钟繇、王羲之。画善白描人物、山水、佛像，无不精妙。白描酷似李公麟，设色学钱选。丝发之间而眉睫意态毕具，非笔端有神通者不能也。兼工山水、花卉。中年用笔细秀，略近文征明、仇英画法，晚年风格朴厚苍劲，自成一家。 [1] 供奉内廷十余年。与董其昌、詹景凤诸人交游，故流传作品多有董其昌、陈继儒等人的题赞。董其昌赠以印章，曰毫生馆。其得意之作，尝一用之。万历八年（1580）作江南春扇，天启元年（1621）作伙溪渔隐图。\n其画以人物、佛道最负盛名,论者谓,在明末人物画家中，丁云鹏与陈洪绶、崔子忠成鼎足之势。早年人物画工整秀雅，晚期趋于沉着古朴，前后变化可从存世的《媛挡熊图》及《三教图》（均藏故宫博物院）中窥知一斑。山水画也有一定造诣，在师法宋元基础上,自具风格。早期隽秀,晚期古拙，以平整为法。亦能作兰草，有《楚泽流芳图》（故宫博物院）存世。后世流传他的作品，有不少是伪作。而台北故宫博物院所藏钱选《卢同烹茶图》实为丁云鹏手笔。丁云鹏生活于雕板、制墨业发达的徽州，还为书刊画了不少插画，对于新安木刻画的发展起到了一定作用。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27],"高清","国画","名画","白描","水墨","人物","山水","神仙","渡海","虎","飞鸟","树木","流水","神话","印章","册页","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa756fff9ee608aeb8f33911396a94482.jpg","未知","Xcm*Xcm","",[],9,0,"795548",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65,67],{"name":12,"slug":38},"gao-qing",{"name":13,"slug":40},"guo-hua",{"name":14,"slug":42},"ming-hua",{"name":15,"slug":44},"bai-miao",{"name":16,"slug":46},"shui-mo",{"name":17,"slug":48},"ren-wu",{"name":18,"slug":50},"shan-shui",{"name":19,"slug":52},"shen-xian",{"name":20,"slug":54},"du-hai",{"name":21,"slug":56},"hu",{"name":22,"slug":58},"fei-niao",{"name":23,"slug":60},"shu-mu",{"name":24,"slug":62},"liu-shui",{"name":25,"slug":64},"shen-hua",{"name":26,"slug":66},"yin-zhang",{"name":27,"slug":68},"ce-ye",1777535431839]